Keith Haring believed that artists should make work for the masses and, decades after his death, his images are everywhere. Tom Calvocoressi asks why his art is so popular

Part biographical survey, part crash-course in psychoanalytical thought, an exhibition about Jacques Lacan’s art collecting could do with a sharper focus, writes Digby Warde-Aldam

A major exhibition of Yoko Ono’s work at Tate Modern is full of the daring conceits and tantalising contradictions that characterise her work, writes Robert Barry

Gavin Stamp’s survey of interwar architecture is a monumental achievement that reminds us that modernism was only part of the 20th-century story, writes Catherine Slessor

Visitors are currently thronging to Venice for the Biennale but the rest of the city has plenty to offer, from an exploration of the travels of Marco Polo to a celebration of Jean Cocteau’s genius. Here’s our round-up of what to see beyond the Biennale

‘There are two big south-facing windows so I get a raking light across all the walls as the sun moves. I like the way direct sunlight can illuminate areas of a canvas and change how you work.’
In the studio with... Matthew Krishanu, whose latest exhibition is Camden Art Centre now

Keith Haring believed that artists should make work for the masses and, decades after his death, his images are everywhere. Tom Calvocoressi asks why his art is so popular

Part biographical survey, part crash-course in psychoanalytical thought, an exhibition about Jacques Lacan’s art collecting could do with a sharper focus, writes Digby Warde-Aldam

A major exhibition of Yoko Ono’s work at Tate Modern is full of the daring conceits and tantalising contradictions that characterise her work, writes Robert Barry

Gavin Stamp’s survey of interwar architecture is a monumental achievement that reminds us that modernism was only part of the 20th-century story, writes Catherine Slessor

Visitors are currently thronging to Venice for the Biennale but the rest of the city has plenty to offer, from an exploration of the travels of Marco Polo to a celebration of Jean Cocteau’s genius. Here’s our round-up of what to see beyond the Biennale

‘There are two big south-facing windows so I get a raking light across the walls as the sun moves. I like the way direct sunlight can illuminate areas of a canvas and change how you work.’
In the studio with Matthew Krishanu, whose latest exhibition is at Camden Art Centre now

Keith Haring believed that artists should make work for the masses and, decades after his death, his images are everywhere. Tom Calvocoressi (Tom Calvocoressi) asks why his art is so popular.

Part biographical survey, part crash-course in psychoanalytical thought, an exhibition about Jacques Lacan’s art collecting could do with a sharper focus, writes Digby Warde-Aldam

Gavin Stamp’s survey of interwar architecture is a monumental achievement that reminds us that modernism was only part of the 20th-century story, writes Catherine Slessor

Part biographical survey, part crash-course in psychoanalytical thought, an exhibition about Jacques Lacan’s art collecting could do with a sharper focus, writes Digby Warde-Aldam

Gavin Stamp’s survey of interwar architecture is a monumental achievement that reminds us that modernism was only part of the 20th-century story, writes Catherine Slessor

A major exhibition of Yoko Ono’s work at Tate Modern is full of the daring conceits and tantalising contradictions that characterise her work, writes Monster Bobby

Visitors are currently thronging to Venice for the Biennale but the rest of the city has plenty to offer, from an exploration of the travels of Marco Polo to a celebration of Jean Cocteau’s genius. Here’s our round-up of what to see beyond the Biennale

Part biographical survey, part crash-course in psychoanalytical thought, an exhibition about Jacques Lacan’s art collecting could do with a sharper focus, writes Digby Warde-Aldam