My grandfather turned into a tiger… collects the artist’s landscapes and portraits that occupy an in-between space artreview.com/my-grandfather…

Reviewed Yoi Kawakubo and Nao Matsunaga duo-show at Yamamoto Keiko Rochaix artreview.com/yoi-kawakubo-a…

Ryusuke Hamaguchi’s new film ‘Evil Does Not Exist’ plays out like a fable recording the clash between capitalist extraction and ecological wellbeing artreview.com/evil-does-not-…

Ryusuke Hamaguchi’s new film ‘Evil Does Not Exist’ plays out like a fable recording the clash between capitalist extraction and ecological wellbeing artreview.com/evil-does-not-…

From Fukushima to the primal body, Yoi Kawakubo and Nao Matsunaga’s ‘Time Capsule’ at Yamamoto Keiko Rochaix, London explores ways of making meaning beyond language artreview.com/yoi-kawakubo-a…

From our networks: The rich washes of colour on #AdamPendleton ’s paintings highlight how process can merge with different formal possibilities. On 3 May, ‘An Abstraction’, the artist’s first solo exhibition in New York in ten years, opens at @pacegallery: bit.ly/3UBCNqC

Danielle Dutton’s ‘Prairie, Dresses, Art, Other’ attempts to galvanize literary art’s sense of perpetual death. What new forms can she offer? artreview.com/genre-and-the-…

Adriano Pedrosa’s Foreigners Everywhere wants art to speak for everyone, but it’s hard to know what it might actually say artreview.com/60th-venice-bi…

What aesthetic strategies can make sense of an unstable present? Adam Thirlwell looks to forms of art with a strong theoretical component artreview.com/writing-practi…

Saneh Sangsuk’s latest novel is part parable, part paean to the ‘forest ethics’ and natural world of the author’s youth artreview.com/the-understory…

Farzaneh Forouzesh fits together, like a puzzle, private moments in various women’s lives, with a highly stylised and surrealistic approach to the art of storytelling. Watch now: artreview.com/art-lovers-mov…

Pierre Huyghe has been named the recipient of the artistic Grand Prix, bestowed by the Fondation Simone et Cino Del Duca on the recommendation of the Académie des Beaux-Arts artreview.com/pierre-huyghe-…

Pierre Huyghe has been named the recipient of the artistic Grand Prix, bestowed by the Fondation Simone et Cino Del Duca on the recommendation of the Académie des Beaux-Arts artreview.com/pierre-huyghe-…

‘Queues’ at Kapp Kapp, New York is deeply self-aware, self-critical, self-sabotaging – and yet somehow quite endearing artreview.com/louis-osmosis-…

Farzaneh Forouzesh fits together, like a puzzle, private moments in various women’s lives, with a highly stylised and surrealistic approach to the art of storytelling. Watch now: artreview.com/art-lovers-mov…

Saneh Sangsuk’s latest novel is part parable, part paean to the ‘forest ethics’ and natural world of the author’s youth artreview.com/the-understory…

From our networks: Watch members of the ART OnO community reflect on the inaugural edition of the Korean art fair.

Find out more: artreview.com/introducing-ar…

ART OnO Dvir Gallery #ThisWeekendRoom #JiwonChoi #artsidegallery #TaoArt

What aesthetic strategies can make sense of an unstable present? Adam Thirlwell looks to forms of art with a strong theoretical component artreview.com/writing-practi…

By pairing Matthew Wong and Van Gogh, ‘Painting as a Last Resort’ at Van Gogh Museum cuts past many arguments about linear art history artreview.com/matthew-wong-v…

Adriano Pedrosa’s Foreigners Everywhere wants art to speak for everyone, but it’s hard to know what it might actually say artreview.com/60th-venice-bi…