Delphin Enjolras (detail)

quantum of solace.

Black Narcissus (Powell & Pressburger, 1947)

Russian ballerina Vera Fokina as Zobeïde in the production of the Ballets Russes' Scheherazade. Photographed in 1914.

Tag Gallagher on Mizoguchi's disruptive camera setups, beyond the tyranny of a 180-degree axis.

the wife: you'd better not be out playing football with the world again!

my imperial ass:

The illusory tree

i think the moon should be closer to the earth. that's just my opinion.

METAL GEAR SOLID - disposal facility.

terrence malick's weightless trilogy feel like the only films which accurately and consistently depict a sort of manic-depressive malaise endemic to the 21st century american life, a visualization of the 'it's so over/we're back' dichotomy in staccato jumpcuts.

godzilla, mothra and king ghidorah: giant monsters all-out attack / shusuke kaneko

Myst III: Exile (2001)

Developed by Presto Studios.

Suggested by AlhazredsGamingGoo

godzilla vs. megalon:

'the monsters created from human beliefs and acts will no longer follow human orders.'

obviously nothing but bangers here, but don't sleep on THE MISSION, which feels a little bit like hawks making a heroic bloodshed film, and features one of the most joyous scenes in all of cinema that is just dudes kicking around a ball of paper.

The clouds this morning were so stunning

it's really cool how kurosawa's technique changed so much from the 1940s to the 1990s, he became like four different directors in the span of one career.

Excalibur (1981, dir. John Boorman)

Teruhisa Tajima

dark angel: the ascent (1994, dir. linda hassani)

Tokyo, Japan 🇯🇵