Isabel Sandoval(@Isabelvsandoval) 's Twitter Profileg
Isabel Sandoval

@Isabelvsandoval

AUTEUR: Lingua Franca, Under The Banner of Heaven
'One of the most exciting and multitalented filmmakers' - Criterion
Rep: CAA Inquiries: [email protected]

ID:3409052194

linkhttps://www.criterion.com/current/top-10-lists/377-isabel-sandoval-s-top-10 calendar_today08-08-2015 18:47:38

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R. Emmet Sweeney(@r_emmet) 's Twitter Profile Photo

The 4K Restoration of Goodbye, Dragon Inn will be out 12/12 on Blu-ray from Metrograph Pictures and Kino Lorber. Includes Tsai's short film Light (2019), an audio commentary by Phoebe Chen (@arsepoetica) and an introduction by 💜💜🎀 ɮɨɢ ɮǟʟʟօօռ ǟɖʋɛռȶʊʀɛ🎀 💜💜

Pre-order: kinolorber.com/product/goodby…

The 4K Restoration of Goodbye, Dragon Inn will be out 12/12 on Blu-ray from Metrograph Pictures and @KinoLorber. Includes Tsai's short film Light (2019), an audio commentary by Phoebe Chen (@arsepoetica) and an introduction by @NickPinkerton Pre-order: kinolorber.com/product/goodby…
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Sight and Sound magazine(@SightSoundmag) 's Twitter Profile Photo

“I never thought I’d get to my age making films. All I could do is offer this. I hope it’s accepted”

With Killers of the Flower Moon in cinemas today, read our wide-ranging cover interview with Martin Scorsese: buff.ly/3QlHF0X

“I never thought I’d get to my age making films. All I could do is offer this. I hope it’s accepted” With Killers of the Flower Moon in cinemas today, read our wide-ranging cover interview with Martin Scorsese: buff.ly/3QlHF0X
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Criterion Collection(@Criterion) 's Twitter Profile Photo

An amazing visit from the extraordinary filmmaker Catherine Breillat, whose new film LAST SUMMER just had its US premiere at New York Film Festival! You can enjoy one of the festival's Free Talks with Breillat at 6pm today before the film plays again this evening!

An amazing visit from the extraordinary filmmaker Catherine Breillat, whose new film LAST SUMMER just had its US premiere at @TheNYFF! You can enjoy one of the festival's Free Talks with Breillat at 6pm today before the film plays again this evening!
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The Daily(@CriterionDaily) 's Twitter Profile Photo

“My reason for living was doing these fucking movies.”

Gregg Araki, talking to Richard Linklater (who’s hoping to make a film in Paris—in French) Interview Magazine — interviewmagazine.com/film/youre-a-f…

“My reason for living was doing these fucking movies.” Gregg Araki, talking to Richard Linklater (who’s hoping to make a film in Paris—in French) @InterviewMag — interviewmagazine.com/film/youre-a-f…
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Aayush Sharma(@JournoAayu) 's Twitter Profile Photo

Woohoo!! Isabel Sandoval will be one of the jury members in the South Asia Competition at this year’s JIO MAMI FILM FESTIVAL. Isabel Sandoval 🙌🏽❤️

Woohoo!! Isabel Sandoval will be one of the jury members in the South Asia Competition at this year’s JIO MAMI FILM FESTIVAL. @Isabelvsandoval 🙌🏽❤️
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Jio MAMI Mumbai Film Festival(@MumbaiFilmFest) 's Twitter Profile Photo

Isabel Sandoval, Jury Member: Isabel Sandoval is a director and actress often appreciated for her bold approach to cinematic style and is often described as one of the most exciting and multi-talented filmmakers on the indie scene.

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Joanna Arnow(@arnowjo) 's Twitter Profile Photo

'The Feeling That the Time...' will be screening AFI FEST 10/27 - hope to see you out their LA friends! fest.afi.com/2023/discovery…

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Richard Brody(@tnyfrontrow) 's Twitter Profile Photo

In honor and memory of Terence Davies, a word on the enduring, wide-ranging greatness of his films—and the troubles he faced in getting them made; the industry was too often indifferent and the critics were so often wrong: newyorker.com/culture/the-fr…

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Anthony Wilcox(@antwilcox1) 's Twitter Profile Photo

On the set of The Deep Blue Sea I lost count of the times Terence Davies forgot to say cut, simply because he was sobbing gently into his handkerchief. Watching the monitor, he wasn’t just looking at characters, or a frame.

On the set of The Deep Blue Sea I lost count of the times Terence Davies forgot to say cut, simply because he was sobbing gently into his handkerchief. Watching the monitor, he wasn’t just looking at characters, or a frame.
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edo(@edogoesboating) 's Twitter Profile Photo

There is a sequence in “The House of Mirth” where Davies cues a recording of Mozart’s trio Soave sia il vento from Cosi fan tutti over a montage of slow, stately tracking shots of a mansion. It is one of the most exquisitely, and achingly, beautiful passages in movies.

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hannah strong(@thethirdhan) 's Twitter Profile Photo

One of the things I love most about Martin Scorsese beyond his incredible work is his unbridled, anti-elitist attitude to cinema. When you grow up working class and don’t have formal film education you learn on the fly and you don’t differentiate between ‘high’ and ‘low’ art

One of the things I love most about Martin Scorsese beyond his incredible work is his unbridled, anti-elitist attitude to cinema. When you grow up working class and don’t have formal film education you learn on the fly and you don’t differentiate between ‘high’ and ‘low’ art
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Reverse Shot(@reverse_shot) 's Twitter Profile Photo

'When you’re touched deeply by something, that in itself changes you, and you start to look at the world in a different way. Sometimes that can be very fulfilling, sometimes that can be very despairing.' —Terence Davies

'When you’re touched deeply by something, that in itself changes you, and you start to look at the world in a different way. Sometimes that can be very fulfilling, sometimes that can be very despairing.' —Terence Davies
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