Rob Weinert-Kendt(@RobKendt) 's Twitter Profileg
Rob Weinert-Kendt

@RobKendt

Editor-in-chief, https://t.co/GM9D1d7KGD, now back in print. Music minister @gpointchurch. Blog: https://t.co/zHVRMOiB49. Not the building the beam.

ID:401112724

calendar_today30-10-2011 02:30:09

33,6K Tweets

7,1K Followers

3,8K Following

Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

This choice collection of 1920s-era piano pieces by Zez Confrey, Rube Bloom, and Eastwood Lane maybe doesn’t capture *all* the moods of a New Yorker, as its title might promise, but its alternately capering and contemplative sounds are a balm. open.spotify.com/album/3XSmt5Ud…

This choice collection of 1920s-era piano pieces by Zez Confrey, Rube Bloom, and Eastwood Lane maybe doesn’t capture *all* the moods of a New Yorker, as its title might promise, but its alternately capering and contemplative sounds are a balm. #dailyalbum open.spotify.com/album/3XSmt5Ud…
account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

I mostly think of The Go Team!’s music as festive and upbeat—then I hear something like this minor-key banger about vigilance against mysterious forces (“blood stripe falcons”?) and I remember: the sound of a crowd is not always reassuring. open.spotify.com/track/48yyAHXb…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

I adored this Strong Songs Podcast episode on 'Águas de Março (The Waters of March),' a song I must confess I first heard on an Art Garfunkel record. So much going on here, both musically and lyrically; I especially love the ending of the Jobim/Regina rendition. strongsongspodcast.com/episode/aguas-…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

Hem’s first record, released in 2002, still enchants with its blend of chamber folk, old-time songcraft, and sad-lullaby mood. “Lazy Eye” remains the bittersweet high point for me, but the whole thing casts quite a spell. open.spotify.com/album/2hgEPSWj…

Hem’s first record, released in 2002, still enchants with its blend of chamber folk, old-time songcraft, and sad-lullaby mood. “Lazy Eye” remains the bittersweet high point for me, but the whole thing casts quite a spell. #dailyalbum open.spotify.com/album/2hgEPSWj…
account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

Austin artist Kevin Russell lays the country twang on a bit thick in this cover of Elvis Costello’s “Indoor Fireworks,” but he also brings real ache and conviction to it, so on balance I approve. open.spotify.com/track/0cEcbn7B…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

The film “Alexander Nevsky” is not a favorite of mine, but its surging Prokofiev score definitely is. Try to imagine Bernard Herrmann’s or John Williams’s career without this iconic template. open.spotify.com/album/0XKuH9zG…

The film “Alexander Nevsky” is not a favorite of mine, but its surging Prokofiev score definitely is. Try to imagine Bernard Herrmann’s or John Williams’s career without this iconic template. #dailyalbum open.spotify.com/album/0XKuH9zG…
account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

I never tire of the bracing string ornament Prince added over the “1999”-ish groove of this ode to escape. The main key is A but that 7-note figure (first heard at 1:09) is in B (and intro is in F). No wonder the tune has a feeling of liftoff. open.spotify.com/track/765k9tDI…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

Happy (almost) 10-year anniversary to this piece I wrote for Vanity Fair to correct the impression that there's no theatre in L.A., which also serves as a handy autobiography of my formative theatregoing in the city where I caught the theatre bug. vanityfair.com/hollywood/2014…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

10 years and about a month ago, ALADDIN opened on Broadway and I profiled director/choreographer Casey Nicholaw for the Times. (It was also my only chance to talk to Mike Nichols, who gave me a perfect quote.) nytimes.com/2014/03/09/the…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

I never tire of the bracing string ornament Prince added over the “1999”-ish groove of this ode to escape. The main key is A but that 7-note figure (first heard at 1:09) is in B (and intro is in F). No wonder the tune has a feeling of liftoff. open.spotify.com/track/765k9tDI…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

The film “Alexander Nevsky” is not a favorite of mine, but its surging Prokofiev score definitely is. Try to imagine Bernard Herrmann’s or John Williams’s career without this iconic template. open.spotify.com/album/0XKuH9zG…

The film “Alexander Nevsky” is not a favorite of mine, but its surging Prokofiev score definitely is. Try to imagine Bernard Herrmann’s or John Williams’s career without this iconic template. #dailyalbum open.spotify.com/album/0XKuH9zG…
account_circle
Cinco Paul(@cincopedia) 's Twitter Profile Photo

Just saw DEAD OUTLAW. Loved it. The kind of show that inspires you to write something just as good. Proves once again that David Yazbek (here working w/ Erik Della Penna & Itamar Moses) is a special talent. It's closing soon, but whatever its future, look out for it.

Just saw DEAD OUTLAW. Loved it. The kind of show that inspires you to write something just as good. Proves once again that David Yazbek (here working w/ Erik Della Penna & Itamar Moses) is a special talent. It's closing soon, but whatever its future, look out for it.
account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

TIL that Ayub Ogada’s nyatiti—the 8-string African lyre he played on the mournful “Kothbiro,” as on this entire must-spin 1993 album—was strung with fishing wire and 1 cello string. No wonder this music sounds both delicate and grounded. open.spotify.com/album/7kVFZYCV…

TIL that Ayub Ogada’s nyatiti—the 8-string African lyre he played on the mournful “Kothbiro,” as on this entire must-spin 1993 album—was strung with fishing wire and 1 cello string. No wonder this music sounds both delicate and grounded. #dailyalbum open.spotify.com/album/7kVFZYCV…
account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

Nearly 20 years ago at an open mic in Williamsburg, can’t remember the place, I exchanged my self-released CD with one made by another singer-songwriter, Pete Searby. It’s all good but this crackerjack ragtime original is my fave cut. open.spotify.com/track/2kiQSpDq…

account_circle
Rob Weinert-Kendt(@RobKendt) 's Twitter Profile Photo

I made a playlist of all of Elvis’s Dylan covers, “Tomorrow” being the only official studio release. It’s not a long list, alas, but Elvis’s approach to these reminds of Bryan Ferry’s great album DYLANESQUE. Just imagine a whole record like this open.spotify.com/playlist/2bVuX…

account_circle
American Theatre(@AmericanTheatre) 's Twitter Profile Photo

Our Spring 2024 print issue is now available at Drama Book Shop in New York City and The Understudy in Chicago. To receive it in the mail, along with all our upcoming issues, please subscribe at americantheatre.org/join/

Our Spring 2024 print issue is now available at @dramabookshop in New York City and The Understudy in Chicago. To receive it in the mail, along with all our upcoming issues, please subscribe at americantheatre.org/join/
account_circle