paste magazine hiding the identity of the author of a negative Taylor Swift review like they're in witness protection is a good summary of where we're at with obsessive fandom

We apologize again for the fault in the cancel culture special. Those responsible for cancelling the people who have just been cancelled, have been cancelled. twitter.com/TheAVClub/stat…

My only thought on REBEL MOON - PART TWO: THE SCARGIVER is that I really wish Snyder would work with Larry Fong again. I just much prefer the look of SUCKER PUNCH and 300 to these movies.

Well this is horrifying behind my worst nightmares about Dobbs.

As (the pretty enjoyable) #ThePeoplesJoker opens in 100 theaters, I discuss how 'meta' superhero films/shows like #DeadpoolAndWolverine and #TheBoys became mainstream and what that means for conventional comic book cinema like #Superman or #FantasticFour .
(post in comments)

I'm old enough to remember when people said this about the 2000 presidential election and the 2004 presidential election and the 2016 presidential election and it always worked out so well

Yoooooo! Brandon Streussnig is doing BIG TINGS!

Barry Sonnenfeld or Stephan Sommers I’m so serious. Inject this thing with a toy box energy it should’ve always had, but never does.

(writes in Weird Al Yankovic)

Netflix going from “PEAK TV” to “PEAKED TV.” $NFLX
The ONLY reason a company stops reporting their marquee benchmark for success is if their internal forecasting indicates a huge shift to the negative.
They’ve got no more tricks up their sleeve.

Remember that moment in Halloween Ends where Corey is riding the motorcycle and the camera pans back and for a second it seems like Michael Myers is going to be seated behind him?

Excellent...

Seth MacFarlane was a regular on the picket lines, paid for a bunch of food trucks, and donated $6 million to the Entertainment Community Fund. He can make FAMILY GUY as long as he wants.

Yes, it's hard to come up with enough story for a 22-episode season. But 'filler' episodes are not a problem. The episodes where plot slows down to focus on characters or themes or even just a fun tangent are why you write TV instead of movies.

Even though I'm sitting in a hospital today keeping watch over a temporarily ill mother-in-law (she's getting better), I'm going to try and wait until tonight's ABIGAIL to see this as the Dark M. Night intended...

Without diving into the wider Streaming vs Theatrical debate: if you have the chance to watch “Hit-Man” and “It’s What’s Inside” on the big screen—a window likely no longer than a week—I would highly recommend it. Always disappointing when Netflix acquires a proper crowdpleaser.

This is all I want to talk to David Corenswet about:

Faith in humanity 0.05% restored...!