In Zinnie Harris’s MACBETH (AN UNDOING), now running at Theater for a New Audience, Lady Macbeth gets tangled in her own unraveling. Read Dan R' review. slantmagazine.com/theater/macbet…

Under Danya Taymor’s direction, the musical adaptation of S.E. Hinton’s beloved 1967 novel THE OUTSIDERS is a remarkable, emotionally arresting piece of theater. Read Dan R' review. slantmagazine.com/theater/the-ou…

Bertrand Bonello's 'delirious marvel,' (The Playlist) COMA, bravely addresses 'the corporeal, psychological, and existential crises of our hypermediated age.' (@Slant_Magazine)

Coming to theaters very soon

John Wayne’s 1976 swan song THE SHOOTIST lands on Blu-ray with a solid transfer and, more notably, a stagecoach full of extras courtesy of ArrowFilmsVideo. slantmagazine.com/dvd/the-shooti…

Throwback Thursday: What's your favorite song from Madonna's #LikeAPrayer album? slantmagazine.com/music/madonna-…

Read our interview with David and Nathan Zellner about #SasquatchSunset , how Bigfoot straddles the human and the animal world, what challenges their shooting style posed for the creature design, and more. slantmagazine.com/film/david-and…

SASQUATCH SUNSET may be the first film to find a sweet spot between Dumb and Dumber and a nature doc. Read Pat Brown's review. slantmagazine.com/film/sasquatch…

Alex Garland's CIVIL WAR is intelligent precision filmmaking trained on an impossible subject. Read Rocco T. Thompson's review. slantmagazine.com/film/civil-war…

#Beyonce 's #CowboyCarter reclaims something other than country music.

Read our review → bit.ly/CowboyCarterRe…

Ena Sendijarević’s SWEET DREAMS captures the putrefaction of colonial rule with a morbid sense of humor. Read William Repass's review. slantmagazine.com/film/sweet-dre…

In Bajoli's OMEN, one fractured family attempts to reconcile two irreconcilable yet inextricable realities, that of the Republic of the Congo and its one-time colonial possessor, Belgium. The film opens this Friday IFC Center. slantmagazine.com/film/omen-revi…

An intensely oneiric work, José Donoso’s 1970 novel THE OBSCENE BIRD OF NIGHT is being released in a new unabridged translation by @newdirections that constitutes a major literary event. Read Greg Cwik's review. slantmagazine.com/books/the-obsc…

Writer-director Shane Atkinson’s LAROY, TEXAS wears its Coen brothers influence on its sleeve. Read Ross McIndoe's review. slantmagazine.com/film/laroy-tex…

We ranked every BEYONCÉ album from worst to best. See where #CowboyCarter lands: slantmagazine.com/lists/every-be…

HBO's #TheSympathizer doubles as both a high-speed comedy and a dark, biting drama.

Read Ross McIndoe's review ↓
slantmagazine.com/tv/the-sympath…

Amazon's #Fallout is an absurdist, gruesome, and funny exploration of corporatization, military industrialism, and life after the end times.

Read Niv M. Sultan's review ↓ slantmagazine.com/tv/fallout-rev…

Theda Hammel’s STRESS POSITIONS, the closing night film at Film at Lincoln Center's #NDNF , is an insightful look at modern discontent and the pandemonium that it breeds. Read Steven Nguyen Scaife's review. slantmagazine.com/film/stress-po…

We are teaming up with DreamWorks Animation to give away a poster of #KungFuPanda 4 autographed by the one and only Jack Black. To enter, comment your favorite moment (or line of dialogue) from one of the Kung Fu Panda films.💥 slantmagazine.com/giveaways/kung…

Benjamin Brewer’s ARCADIAN teases out the reveal of its creatures at just the right pace, building tension without stringing us along too far. Read Ross McIndoe's review. slantmagazine.com/film/arcadian-…

Read our wide-ranging interview wiht the great Ken Loach about THE OLD OAK’s balance of timeliness and timelessness, the connection between form and content in his work, and more. A major retrospective of his work kicks off Film Forum on April 19. slantmagazine.com/film/ken-loach…