✨ Sunday 23rd July 7pm (BST) ✨

Join us for an evening of feminist-surrealist alchemical exploration & insight in collaboration with Morbid Anatomy and Issue 03 contributors.

Tickets here:
morbidanatomy.org/events-tickets…

🪞 New on the feminist-surrealist blog, Tasmin Petrie reflects on Grete Stern's seminal photomontage series Sueños (Dreams), currently on view in Museo Carmen Thyssen 🪞

Click below to read more about dreams, the subconscious and feminine desire:

thedebutante.online/post/dreams-as…

✨ New on the feminist-surrealist blog: an exclusive interview with artist Melissa Meier ✨

In conversation with writer Mirela Dialeti, Melissa sheds light on her evocative found object sculptures.

Click the link below to read the full feature.
thedebutante.online/post/a-lot-of-…

Sophie von Hellermann's paintings are characterised by their large scale, eery and ephemeral quality.

'Sophie von Hellermann's paintings are underpinned by the inner workings of her subconscious.' — Charlotte Eytan

1) Dawn, 2018
2) Light Disco, 2018

Morning… I’m looking to build up a list of scotland based freelancers who produce creative events and/ or provide event tech support for this year, let me know if interested 🎉

We are pleased to share the CFP for the first issue for the International Journal of Surrealism (IJS):

No. 1, Vol 1: The “Problem of Woman” in Surrealism
Essays submitted to [email protected].
DEADLINE: 31 Jan 2023

For Issue 03, Charlotte Eytan interviews artist Sophie von Hellermann about her etherial paintings, or as the artist describes them, 'projections', which she views as physical matte, energy pulsating between something & nothing.

artwork: Sophie von Hellermann, Dark Disco (2018)

Patricia Paludanus' pencil works transport us through magical portals into surrealist realms to draw us back to an early magical seeing when our eyes were brand new.

patriciapaludanus.com

Lost in Translation, 2022
Old Timber to New Fires, 2022
Alchemy, 2019
Projection, 2022

With the start of a new year comes new beginnings and a wealth of possibilities. We are looking forward to an exciting year ahead 💫

artwork: Patricia Paludanus, Possibility, 2020
featured in Issue 03: Feminist-Surrealist Alchemy

parallèles surréalistes, ou le (non)portrait ; « Small Portrait » (1950) - Kay Sage // « La Mandragore » (1953) - Bona

Can you spot The Debutante issue 03 in this month's SNACK mag? 👁️

*2023. Can you tell we need a rest? 👁️🖤

'Colquhoun suggests women have thirteen points on their body where they could receive the flow of divine energy, as opposed to twelve on the male ... proof that women are 'more highly evolved and more specialized''

Image: 'Portrait of Ithell Colquhoun' (1949)

In Issue 03, we feature Amy Hale fascinating essay on Ithell Colquhoun's occult feminism. Hale writes that Colquhoun realizes a variety of vulvic natural forms in sketches and paintings, such as her painting 'Tree Anatomy'.

Image: 'Tree Anatomy' (1942)

'I hope that this series of goddesses, rebels and activists communicates some of that resilient, uncanny spirit and perhaps connects the viewer with feminine powers within themselves.'🌔

'The High Priestess' (2021) Collage and ink. Georgina Coburn