Apropos of nothing, it’s a great day to reread Adorno and Horkheimer on The Culture Industry: marxists.org/reference/arch…

cubist architecture in prague

During AWP 2024, I gave a talk on documentary poetry on a panel with Paisley Rekdal, Michael Leong, Joe Harrington, and Tara Ballard. The talk really became something of a poem. This is it: Dispatches from the Land of Erasure During a Genocide.

I was so honored to have made the shortlist; congratulations to Patrick James Errington!

Deeply excited to have these poems engaging with the work of Miroslav Tichý out in the world.

airlightmagazine.org/airlight/issue… via USC Dornsife

I had a (genuinely) lovely time talking to Jay David Miller about my work (and some work that I love).

Our National Poetry Month poet for today is Alisha Dietzman Alisha Dietzman. sclsnj.org/national-poetr… Beacon Press. Follow us for another contemporary poet each weekday in April. #NationalPoetryMonth Academy of American Poets

I am a woman who learned during my 20s to periodically replace my toothbrush and wash my sheets from a man in his 20s; in exchange, I introduced him to obscure central and eastern European cinema and we need more representation of this kind of dynamic.

Rip Schopenhauer you would've loved this

Congratulations to the eight poets announced in the shortlist for the #PollardPoetryPrize . The prize is awarded annually by the Trinity Oscar Wilde Centre for an outstanding debut collection of poetry in the English language. 📚 📚📚

tcd.ie/news_events/ar…

This means so much to me.

Lyn Hejinian, immortal poet (1941-2024)

Loving myself less and less each year 🍾

“a tiny, literal tractor discovers the surreal, // and it is a field that swims. / Everything is so delicate in this world, // I imagine God would be a spoon. / Even the infinite rendered a girl, snow.” —Alisha Dietzman, “Gosha Rubchinskiy x Timur Novikov” Beacon Press

The fact that a Haneke Jelinek collab starring Isabelle Huppert exists in this world is proof that God loves us and has a wonderful plan for our lives (to watch The Piano Teacher)

man is stressed

‘I was happy to feel of use. I knew my twenty-seven years of life to be a failure in many regards. Mother and father hated my cooking. They were always abandoning me in salty creeks.’

Solo Poly by Sophie Frances Kemp.

granta.com/solo-poly/