“I think biopics are a really gross genre because they ask for an audience to suspend their disbelief in some kind of idea of authenticity, which can never, ever exist.”

The early days of the “Last Days” opera: tinyurl.com/nnsza4y3

The show stumbled its way into depicting the inadequacy of white liberalism to address the actual systemic racism that Black people experience in the most profoundly stupid ways possible

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We're so very thrilled to welcome BABE REPORT to the EIS Records roster! The band (feat former members of Geronimo!, Yeesh, FCKR JR) will release their full length debut 'Did You Get Better' on May 31st! Check out 'Turtle of Reaper' over at FLOOD Magazine! floodmagazine.com/158583/babe-re…

“Hey Gary, Hey Dawn” is a hodgepodge that at its best showcases Caleb Landry Jones’ ingenuity as a songwriter and the brilliant cohesion of his band

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Live, in photos: Danny Brown at Brooklyn Bowl Nashville: tinyurl.com/yac7t6x2

📷 by Skylar 🖖🏻

In celebration of 5 years of “Titanic Rising,” Weyes Blood shares her intergalactic video for “Andromeda” which was initially aborted in 2018

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“We refer to ‘Black Ribbon’ as ‘if MUNA and Wednesday had a baby and then that baby was friends with The Ophelias.’”

The Ophelias unpack each song on their new “Ribbon” EP

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Khruangbin’s back-to-basics fourth album is a delectably nuanced and subdued listen touched up with open-air production and field recordings | tinyurl.com/4pjzwrwv

“When I was writing a lot of these songs, I never expected them to be given this amount of a platform.”

UK post-punks English Teacher discuss their debut LP “This Could Be Texas” and the sense of alienation that inspired it

✍️ by The Big Brother of Texas

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Lo-fi punks Babe Report are announcing their signing to Exploding In Sound Records with the news that their debut album “Did You Get Better” will arrive on May 31

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Prominently featured on the new RJD2 track alongside the sensual croon of Jamie Lidell are “amorphous mouth sounds” inspired by Timbaland’s production

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THE PEOPLE'S JOKER is a lot of things, delivered in a lot of different ways, but all of it is window-dressing for something more absurd, upsetting, and triumphant than anything in this experimental anti-comedy superhero screed

For FLOOD Magazine

floodmagazine.com/158314/the-peo…

FLOOD FM proudly supports Utah's coolest music festival with...

KILBLY BLOCK PARTY RADIO!

📻🕺💃

Every Saturday through 5/11 it's 24 hours of nothing but music from all the incredible artists performing next month at Kilby Block Party

'Alexa, Play Flood FM'

FLOOD Magazine

You can read my full review of MONKEY MAN here on FLOOD Magazine or you can trust me that it fuckin rocks and you should go see it

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Friedkin believed in the raw sensation of cinema, of intensely immediate filmmaking, emotional duress raised to the highest, sharpest pitch

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Maggie Rogers’ jump back to her folk and country roots feels correct after she pushed her folky electronic sound into the red on her first two releases

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yooo had a wonderful time interviewing the inimitable RiTchie. his brilliant new album, 'triple digits [112]' is out now!

Vera Drew’s performance is the guiding force among the sensory assault that is The People's Joker, the only thing grounding us in anything close to reality

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thanks FLOOD Magazine for having me go track by track through the Ribbon EP! inspired by Nick Drake, MUNA, Shania Twain, walking home in a cowboy hat after a night out, Ohio, etc

“We really admire artists who aren’t steeped in sentimentality and nostalgia... Acknowledging the past but not having it be the sole lens through which they see themselves.”

— Sleater-Kinney’s Corin Tucker

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