#Napoléon vu par Abel Gance (1re époque) en ouverture de #CannesClassics à #Cannes2024 🎞

La Première Époque de ce monument du 7e art sera projetée le 14 mai en avant-première mondiale à #Cannes2024 , dans une version issue d’un travail colossal et passionné, mené par la

Book now for the British Silent Film Festival Symposium! atthepictures.photo.blog/2024/04/17/bri…

Dall'archivio 2011. Liberate i film restaurati del cinema muto italiano! sempreinpenombra.com/2011/07/15/lib…

'Satanita, the She Devil'❗️❗️❗️

As part of our on-going project to digitize all surviving Danish silent films, Hjalmar Davidsen's erotic melodrama from 1915 is now available to watch on the stumfilm.dk site right here:

▶️stumfilm.dk/en/stumfilm/st…

Great interview with Grazia Ingravalle at New Books Network 📚. Topics range from contested nitrate canonisation to the importance of National Fairground and Circus Archive. Enjoyed thinking about 00s optimism about digitisation and remix and how that's changed. newbooksnetwork.com/archival-film-…

#Orphans2024 Day 3 has begun! Aurore Spiers (U of Chicago) starts us off with talk about French women workers. Featuring silent footage of women at work at Citroën 🚗 factory. Her talk offers a dazzlingly important intervention in #feministfilm historiography. Orphan Film Symposium

A sala llenísima de amor al cine, disfrutamos las películas de Eugenio Cardini encontradas 🎬❤️

¡Uno de los acontecimientos del año para la cinefilia!
domingo 7/04 - 18:00

EUGENIO CARDINI ✭ PERDIDO Y ENCONTRADO Presentado por Lorena Bordigoni, Andrea Cuarterolo, Fernando Martín Peña y LocaMargarita💚

Música en vivo a cargo de Juan Gómez Portillo Caffarena 51, La Boca

Living London - the story of a film and a dream lukemckernan.com/2024/04/02/liv…

Dans le cadre de notre cycle JULIEN DUVIVIER, ciné-concert ce soir à 19h avec 'Haceldama ou le prix du sang' (1919) accompagné au piano par Michel Parmentier.
Un malfrat mexicain, une femme et un héros pour une histoire de vengeance retorse avec un joli magot à la clé.

Per celebrare l'anniversario di Casanova, nato oggi a Venezia nel 1725, 'Casanova' di Alexandre Volkoff, produzione Films Albatros 1927, restaurato dalla Cinématheque Française, Blu-ray Flicker Alley 2022
#FestivalPermanenteFilmRestaurato del Silent Film Archive Silent Film Archive

Bel 'poisson d'avril' a carico della La Cinémathèque
menzione speciale al commento di Andrea Meneghelli della Cineteca di Bologna

'Català i en català: així era el cinema amateur fa cent anys', el completíssim article de Sílvia BarrosoPallàs a El Món sobre el Centenari del Cinema Amateur a Catalunya #CinemaAmateur100

elmon.cat/cultura/cinema…

En ce moment sur HENRI, en écho à notre rétrospective 'Les travestis au cinéma', 'L'Avventura galante di un provinciale' de Luca Comerio (1908).
Les aventures d'un homme plongé dans les méandres des péchés mondains milanais.
Noël Herpe Capricci
cinematheque.fr/henri/film/154…

E. A. Dupont's Moulin Rouge 📀Originally trade-shown in March 1928 as a silent feature with live musical accompaniment, it was re-released in 1929 with a recorded, synchronized score by John Reynders and is presented here as a brand-new restoration from original film elements

London, March 22, 1928. To-day (Thursday), at the Tivoli, at 2.30, the world premiere of British International’s new picture, E. A. Dupont’s Moulin Rouge, will open under the auspices of Wardour Films. sempreinpenombra.com/2024/03/22/mou…

Comment on a tourné Salomé, interview avec le cameraman Paul Ivano sempreinpenombra.com/2024/03/20/com…

Restored from two 35mm negatives and incorporating the color tints and tones of the original release prints, this edition of 'The Thief of Bagdad' features silent film score maestro Carl Davis conducting the Philharmonia Orchestra
Bluray Disk © 2013 CohenFilmCollection 🎞️📀

Ahmed, a thief of Bagdad (Douglas Fairbanks) & the hand of the Princess (Julanne Johnston)
Original Nitrate Frame 'The Thief of Bagdad' 1924 Archivio In Penombra

The Thief of Bagdad - An Arabian Nights Fantasy, regia di Raoul Walsh
Prima visione: New York, 18 marzo 1924