'Father Son’ was originally released in 2000 on the OVO record, though it had been written before the Millennium Dome project came about.”Because it was about the relationship of different generations” says Peter 'it seemed like it would fit well.'

The promo video was filmed…

The ninth track released from i/o was 'Love Can Heal', 'A dreamy, experiential piece with some abstract imagery. A carpet of sound, a tapestry where things are woven together, but not necessarily supposed to stick out, but just form part of a whole. I think the song fits right…

“When I first met up with Phillip, one of the ideas I proposed to him was that we build up a lot of the soundtrack from natural sounds that he could have recorded as he was shooting the film. I pictured them making this amazing journey along the rabbit proof fence without a whole

The eighth track released from i/o was 'Olive Tree', ‘I wanted it to have some speed to it but I also wanted some mystery, too. I think it is a celebration in a way and there's a real sense of being alive.’ - pg

Pre-order the i/o box set here: lnk.to/PGBOX21

The seventh track released from i/o was 'So Much', “I wanted to get a very simple chorus, but one which still had some substance to the harmony and melody – something that was easy to digest but still had some grit and character to it.
I think when you get to my sort of age, you…

In mid-December 2022, Peter and Nadav Kander met for a new photo session to support the release of i/o. It was their first session together since 2006.

Go behind the scenes of a memorable day >> petergabriel.com/focus/meeting-…

'The sixth track released from i/o was 'Road To Joy', ‘It was actually very late in the record that we got to this. There had been a song that musically I'd started, I think, around the OVO project called Pukka. It was very different to this, but it was actually the starting…

These images by Daniel Mason give a sneak peak into the production of the i/o Box Set.

Head over to the website to read more from Daniel about the printing process. petergabriel.com/focus/making-o…

The fourth track released from i/o was the title track, “We are like packets of atoms. We think we are independent and isolated - little floating islands, controlling and steering everything that we do. But if you look under the surface you find we are all connected in multiple…

The third track released from i/o was 'Playing For Time', 'It’s been an important song for me. It's about time, mortality and memories and the idea that each of us has a planet full of memories which get stashed inside the brain'. - pg 

Pre-order the i/o box-set here…

The second track released from i/o was The Court 'I had this idea for ‘the court will rise’ chorus, so it became a free-form, impressionistic lyric that connected to justice, but there’s a sense of urgency there. A lot of life is a struggle between order and chaos and in some…

The first track released from i/o was Panopticom - 'the first song is based on an idea I have been working on, to initiate the creation of a super-tool; an infinitely expandable and accessible data globe: The Panopticom.' - PG

Pre-order the i/o box-set here:…

“Digging In The Dirt was looking at the darker side of myself. I was also reading a book about murder and anger expressed in different ways. That was allowing me to get into different subject-matter.”- pg

'Shock the Monkey’ performed on Discoring, an Italian TV show, in 1983.

“I think that ‘So’ was certainly the most visible and successful record that I’ve ever done and it was a special band too. I’ve enjoyed very much playing with them on the tour. Manu particularly is quite unique in the way he plays. I’m glad I did it. I’ve enjoyed it more than I…

Peter and Jennie Abrahamson photographed performing ‘Don't Give Up’, in Canada during the first leg of the Back to Front tour in 2012. Photo by York Tillyer

“In my research for Passion, many people mentioned the wonderful resources of the National Sound Archive and in particular introduced me to Lucy Duran, who both understood what I was hoping to achieve and made lots of great suggestions. Scorsese had asked for a new type of score…

“Passion was one of the most important records for me – an opportunity as a writer to try to do a different sort of job than I usually do. The brief for ‘The Last Temptation Of Christ’ was to create something that had references to that time and that part of the world, but that…