The transparency is refreshing. And honestly some of these benefits are better than in the NL.

Is it too much to ask for editors to not throw shade in track changes?!

Join us on Frieze East End Night (Frieze), Sunday 9 October 5pm, for a panel discussion chaired by critic and curator Karen Archey (@karenarchey), in conversation with curator and researcher Annie Jael Kwan (@alikati) and publisher, curator and writer Sarah Shin.

I spoke with Karen Archey about some of this recently regarding her book After Institutions.
petitpoi.net/karen-archey-a…

After Institutions - Karen Archey expands the definition of Institutional Critique to develop a broader understanding of contemporary art’s sociopolitical entanglements, looking beyond what cultural institutions were to what they are & might become. bit.ly/3c1EKsz

Sometimes major setbacks precede, and even spur, transformational victories.

I just—women’s feelings, our lives, our sense of autonomy and of safety, it just means fucking nothing. It’s so demoralizing to have such constant and high-profile reminders of that simple fact.

Best part of the last 24 hours of the Internet is reading Dan Graham’s astrological readings of everyone

Karen Archey | Curator of contemporary art, @Stedelijk | Amsterdam
apollo-magazine.com/karen-archey-a… Karen Archey

Excited to speak with my buddy and fellow Rhizome alum @benfinoradin about digital preservation on Monday!

10 thinkers under 40 in the #art & #tech world by Apollo Magazine Karen Archey @Stedelijk _salome @newinc @jennybulstrode STS UCL Dr. Joy Buolamwini @ajlunited #AriaDean Yuk Hui Aliaa Ismail 落合陽一 Yoichi OCHIAI @DoreenA_Rios Centro de Cultura Digital Legacy Russell The Kitchen #musetech #musesocial

Exhilerated by being edited by people who are more intelligent than me

Really honored to write about Evelyn Taocheng Wang’s work for the April issue of Artforum! I spent the better part of a year getting to know her work, squeaking in visits to her shows in NL and DE during the pandemic. Thank you Lloyd Wise and artforum!

So excited for next NewMu triennial and honored to write for the catalogue--it's one of the first group exhibitions in recent memory with an artist list that was almost completely new to me. Incredible curatorial research by Margot Norton and Jamillah James.

Also: a project by Wickerham & Lomax; Chloe Wyma on “The Tarot of Leonora Carrington”; Karen Archey on Evelyn Taocheng Wang; David Rimanelli on “Silver Jackie”; and Julia Pelta Feldman on the limits of accessibility. artforum.com/print