Mato Grosso is a work of post-memory that follows Raquel Bravo’s encounter with the photographic archive of her father after his death, and the discovery of his missionary action in Brazil that took place before her and her sister’s birth.

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Tipler muhteşem 🥹💙💙 lenscratch.com/2017/10/edward…

Jason Lindsey in conversation with Areca Roe
Link: lenscratch.com/2024/04/earth-…

Dennis Dehart in Conversation with Laura Plageman
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Welcome to our weekly briefing. Today Editor Sarah Knobel highlights the work of seven environmental artists in celebration of Earth Week. #LenscratchPhotoBriefing A thread 📷🧵

J Wren Supak in conversation with Ryan Parker
Link: lenscratch.com/2024/04/earth-…

Sarah Knobel in conversation with Jamie House
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Leonor Jurado in conversation with Jessica Hays Link: lenscratch.com/2024/04/earth-…

Josh Hobson in conversation with Kes Estathiou
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Read this interview: Tyler Green in Conversation with Megan Jacobs lenscratch.com/2024/04/earth-…

So teach us to number our days, that we may apply our hearts unto wisdom. (Psalm 90:12)
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Grosso is a work of post-memory that follows Raquel Bravo’s encounter with the photographic archive of her father Jose Maria Bravo after his death, and the discovery of his missionary action in Brazil that took place before her and her sister’s birth. lenscratch.com/2024/05/photog…

Memory is a recurring theme in Mendía Scheverría’s photographic work. She is currently researching on mapping different spaces, most of them linked to landscapes and natural history to study new traces and methods of transmission of memories. lenscratch.com/2024/04/photog…

𝘗𝘭𝘢𝘴𝘵𝘪𝘤 “𝘞𝘢𝘷𝘦𝘴” is a visual commentary on the effects of human behavior on our oceans and seas. Each “wave” is sculpted using recycled and repurposed materials, most notably plastic garbage bags. lenscratch.com/2024/04/earth-…

The melting of Mount Kenya’s Lewis Glacier highlights the severe impacts of global warming.
Photographer Simon Norfolk uses historical & modern mapping to visually chronicle this decline.
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Aaron Huey's latest project, “Wallpaper for the End of the World,” utilizes machine learning algorithms trained on his own photographic chronicles of environmental destruction lenscratch.com/2024/04/earth-…

In 2013 Jason published A Flower in the Mouth,photobook about culture,music & rituals of Carnaval in Pernambuco,Brazil. Now he continues with We the Spirits,documenting the ritual & festival of traditional Carnival for over 15 yrs throughout 15 countries lenscratch.com/2024/04/photog…

Casey Lance Brown series 𝘒𝘶𝘥𝘻𝘪𝘭𝘭𝘢 is an artistic reinterpretation of the kudzu vine, exploring its historical and ecological narrative in the United States. lenscratch.com/2024/04/earth-…

The premise of the project is to invite the viewer to observe an Earth, it could be our Earth, or a distant Dead Planet.
Abiogenesis, My Home, Our Home – Richard Lloyd Lewis
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