🧑‍🎨 MariliaHenriquesART(@MariliaHart) 's Twitter Profile Photo

GM FAM ☀️🙋🏼‍♀️ Happy Week 💚❤️

Art its Love ❤️

'Cherry Trees' 🍒 on Foundation 🌐

Tempera on Paper 🎨 🖌️
45x35cm IRL

1/1
0.07 $ETH

Link 👇

GM FAM ☀️🙋🏼‍♀️ Happy Week 💚❤️ 

Art its Love ❤️

'Cherry Trees' 🍒 on @foundation

Tempera on Paper 🎨 🖌️ 
45x35cm IRL

1/1
0.07 $ETH

Link 👇
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0800CJ(@0800Cj) 's Twitter Profile Photo

Pero deja de mentir, ridícula, fantasma, persona con necesidad de atención. Tenes tatuajes, que te los pintaste con tempera, pelotuda. Hiy me levante re cruzado, me tienen las bolas llenas los nenes que flashan autismo

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Gloam(@Jen3nfer) 's Twitter Profile Photo

'Melancholy is the happiness of being sad. –Victor Hugo' 2023 by Dongni Hou (1987-). Tempera on canvas, old frame.

'Melancholy is the happiness of being sad. –Victor Hugo' 2023 by Dongni Hou (1987-). Tempera on canvas, old frame.
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てんぺら(@tempera200828) 's Twitter Profile Photo

世の中の大部分の人にとって目標はマストやね。人って目的もなく頑張れない生き物だし

目標がない人は「カーナビに目的地を入力しないで運転し続けている」だから人生に疲れてしまってるんだ💦 - YouTube講演家 の朝礼 鴨頭嘉人📣YouTube計110万人の講演家✖コミュニケーション研究家(Web3おじさん)
r.voicy.jp/7Qm27B5a9Y6

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horekrokom | হরেকরকম(@horek_rokom) 's Twitter Profile Photo

Tathagata Buddha as illustrated by four eminent Bengali artists in four completely different styles:
- Jamini Roy (Tempera, 1950)
- Abanindranath Tagore (Watercolor, Lahore Museum)
- Sanatan Dinda (Soft Pastel)
- Anwar Chitrakar (Kalighat Pattachitra)
Best wishes,

Tathagata Buddha as illustrated by four eminent Bengali artists in four completely different styles:
- Jamini Roy (Tempera, 1950)
- Abanindranath Tagore (Watercolor, Lahore Museum)
- Sanatan Dinda (Soft Pastel)
- Anwar Chitrakar (Kalighat Pattachitra)
Best wishes,
#Buddhapurnima
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てんぺら(@tempera200828) 's Twitter Profile Photo

結果を出してる人=数字のロジックを出せる人…‼︎(イスから転げ落ちる)

🈶数字のロジックが言えないシロウトとは付き合うな‼️坪単価・FLRコスト・損益分岐点売上…プロは必ず把握している‼️ - YouTube講演家 の朝礼 鴨頭嘉人📣YouTube計110万人の講演家✖コミュニケーション研究家(Web3おじさん)
r.voicy.jp/G4VWPE15KeM

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dorotheum(@dorotheum) 's Twitter Profile Photo

Carla Accardi’s work contributed significantly to the establishment of the Italian avant-garde. She abandoned tempera in favour of fluorescent colours in the mid-1960s. Later, she returned to painting on canvas and a traditional painterly structure: dorotheum.com/en/l/9043769/

Carla Accardi’s work contributed significantly to the establishment of the Italian avant-garde. She abandoned tempera in favour of fluorescent colours in the mid-1960s. Later, she returned to painting on canvas and a traditional painterly structure: dorotheum.com/en/l/9043769/
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Jura(@Jurasago) 's Twitter Profile Photo

Sandro Botticelli (Italian, c. 1445-1510)
Portrait of a Young Woman (Portrait of Simonetta Vespucci as Nymph), 1480–1485
Tempera on wood, 82 × 54 cm
Städel Museum, Frankfurt, Germany

Sandro Botticelli (Italian, c. 1445-1510)
Portrait of a Young Woman (Portrait of Simonetta Vespucci as Nymph), 1480–1485
Tempera on wood, 82 × 54 cm 
Städel Museum, Frankfurt, Germany
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