'While Anaïs is telling enough lies to support the metaphoric title of this work, the real ocean in this book is generated by her deep and explorative sensuality.'

Read Victoria McIntyre's stunning review of Anaïs Nin: A Sea of Lies by Léonie Bischoff!🌊

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Y'all PRISM international (SUBS OPEN) is one of my favourite journals AND Renee Cronley 's interview with me just came out there. I'm thrilled with this for a lot of reasons but mostly because Renee asked such brilliant questions, she made us both look good. #writers
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'Food is such a complex and glorious subject and I wanted to show the power it holds both in hurting and healing.'

This week, check out Renee Cronley's enlightening interview with Finnian Burnett! 🍪

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'Catherine Leroux’s novel THE FUTURE (freshly translated by Susan Ouriou) presents a complex, layered story that probes how people navigate turbulent times, alone and together.'—Review by Marcie McCauley, Prism

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'Catherine Leroux’s novel The Future (freshly translated by Susan Ouriou) presents a complex, layered story that probes how people navigate turbulent times, alone and together.'

Read Marcie McCauley's gripping review of the Canada Reads 2024 winner!

prismmagazine.ca/2024/04/05/nav…

'Silver Repetition operates as a dream text...There is a sense that the story is happening in this liminal space; that the two realms are bleeding into one another.'

Read Maria Isabel Martinez's fascinating review of Silver Repetition by Lily Wang! 💙

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Boulevard review in PRISM international galleonbooks.ca/2024/03/18/bou…

'In The Boulevard, art is not merely decorative but the essence of life.'

This week, check out Steven Mayoff's captivating review of The Boulevard by Jerrod Edson! 🎨

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Forget the grind. Forget hustle culture. Make experimental comics! Hybrid subs open until March 8th, so send me something weird!

'You may be harbouring ideas about what image and text can or can’t be on their own or in partnership. See if you can be curious about that and open yourself up to what else might be possible.'

Our Prose Editor, Natasha Gauthier, talks hybrid forms! ✍️

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We have extended the submission deadline for our 62.3 issue to March 8, 2024. Send us comics! Send us visual poems! Send us your monstrous mashups!

PRISM had a lovely team meeting lots of our contributors and readers at AWP! See you next year! 💙

Some poetry comics of mine in the Fall 2023 issue of the The Ex-Puritan 🐜🌹🪐👕

—from the inescapable consequence of wearing clothes (laundry), to notes on ant friendship/obituaries/Celine Dione, to sleep & my night life as a planet—

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“Worldly Things Will Sink And Stagger”: Dr Helen Marshall-Helen Marshall and Daniel A. Rabuzzi Discuss the Medieval in Modern Literature and the Elasticity of Genres

'Words are haunted by their own ghosts, and they often still carry a kind of residue, ectoplasm perhaps, of their prior forms.'

Read Helen Marshall and Daniel A. Rabuzzi's fascinating discussion on our website!

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'In Light Spill, readers cannot help but fall into believing, begging Mota-Juang for miracles that, with each subsequent poem, she succeeds in delivering.'

Read Bridget Huh's shimmering review of Mota-Juang's chapbook, Light Spill! 🌠

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Thrilled to be part of this with my very brilliant colleagues Carrie Jenkins and Dr. Marina Adshade, Ph.D. ♥️🔺

come say hey to us at the PRISM international (SUBS OPEN) & UBC School of Creative Writing table—AWP day 2 & the collaborative collages are SINGING off the page

Looking to submit to our HYBRIDS issue? Check out this writing prompt from our Prose Editor, Natasha Gauthier, for some inspiration! ✨

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