Exciting Margaret Tait/Luke Fowler/Ute Aurand film programmes coming up this week and next in the US Anthology Film Archives Harvard Film Archive

Looking forward to this this afternoon! A fabulous story by Louise Welsh - worth taking time out to have a listen!

News & Events – Cinema Memory and the Digital Archive. The latest ⁦Cinema Memory and the Digital Archive⁩ blog is out today: Annette Kuhn⁩ on an archival quest. Queen Mary Faculty of Humanities & Social Sciences⁩ ⁦Film Studies @ QMUL⁩ ⁦⁦Sarah Neely⁩ ⁦Daniela Treveri Gennari⁩ ⁦⁦Philippe Meers⁩ lancaster.ac.uk/fass/projects/…

Showing tomorrow ⁦The Pier Arts Centre⁩ #16mmfilm #orkney #film

Now available on BBC Sounds bbc.co.uk/sounds/play/m0…

This Sunday, Cromarty Hall, St Margaret’s Hope- screening of Being in a Place, Luke Fowler’s portrait of Margaret Tait, followed by Q&A w/Sarah Neely (coproducer) Louise Barrington (production assistant) and Donald Lindsay (music) surl.li/rvgzr Film Hub Scotland SCAN

16 new entries on women filmmakers launches today. Includes doc directors, animators, costume designers, screenwriters, and more. Thanks to ODNB for supporting this and all the amazing writers National Biography oxforddnb.com/newsitem/805/w…

Coming up at the end of the month! Film Hub Scotland LUX Scotland

Thanks GFT, @pubscot + publishers for super interesting book to screen pitching session as part of the festival’s industry focus. Really hope this is repeated again soon!

Had a rare wee chat with Sarah Neely for the Hippodrome Silent Film Festival screening of Jenny Gilbertson's The Rugged Island. Sarah is ever-mesmerising. I rock my community alarm.

Bumper issue of a day yesterday ⁦BFI⁩ - ⁦Tait’s Blue Black Permanent (intro by Peter Todd), followed by ⁦Cinema Memory and the Digital Archive⁩ event w/ ⁦Annette Kuhn⁩ ⁦imitating the dog⁩, Richard Rushton, Dalilia Missero + films by ⁦Catherine Grant⁩ and Marissa Keating

16mm workshop in Orkney with Ute Aurand ❤️

I don’t think I’ve ever won anything, so super excited to have won this beautiful book by Pamela Hutchinson from GFT thank you!!!

Blue Black Permanent BFI 1 March, 2pm, introduced by Aga Baranowska and Peter Todd, free for over 60s shorturl.at/nrH26 (image: Tait at Yesnaby with Producer Kate swan durning filming for Blue Black Permanent, photo by Gunnie Moberg, 1992, courtesy of Orkney Library)

'Exploring Cinema Memory' at BFI Southbank on Friday 1 March: reflections, presentations and discussions around memories of cinemagoing in the 30s. Film Studies @ QMUL LICA Sarah Neely Annette Kuhn imitating the dog Details and booking link: lancaster.ac.uk/fass/projects/…

We’re thrilled that our ‘cinema memory machine’ installation Seeing in the Dark will be at The British Film Institute BFI Weds 28 Feb - Fri 1 Mar.

The installation coincides with ‘Exploring Cinema Memory: Cinemagoing from the 1930s to the Present’ on Fri 1st, an evening of…

Can I retweet myself? I think I can when it's women's film history! Come along to hear more, in-person or on-line 😊

Watch “FAODAIL Film Archive 2024” by @Taigh_C on #Vimeo vimeo.com/taigh/faodail2…