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Senses of Cinema

@SensesofCinema

An online film journal devoted to the serious and eclectic discussion of cinema.
📢 ISSUE 108 OUT NOW!
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linkhttps://www.sensesofcinema.com/ calendar_today20-07-2011 07:56:52

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'I believe that the way we are looked at transforms us. ...'
In Issue 108, Savina Petkova speaks with Catherine Breillat following the release of her film, Last Summer (2023) buff.ly/3Uo2rPr

'I believe that the way we are looked at transforms us. ...' In Issue 108, @SavinaPetkova speaks with Catherine Breillat following the release of her film, Last Summer (2023) buff.ly/3Uo2rPr
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'His characters are would-be revolutionaries, doomed youths, and indecisive figures paralyzed in the face of new political futures...'
New to our Great Directors series in Issue 108, Ryan Akler-Bishop looks at the career of Bertrand Bonello. buff.ly/3VYOnNr

'His characters are would-be revolutionaries, doomed youths, and indecisive figures paralyzed in the face of new political futures...' New to our Great Directors series in Issue 108, Ryan Akler-Bishop looks at the career of Bertrand Bonello. buff.ly/3VYOnNr
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'Wenders extracts nothing short of the essence of life from repetition and difference...' Kohei Usuda on Wim Wenders' PERFECT DAYS (2023). Read more in the report from the 36th Tokyo International Film Festival in Issue 108. buff.ly/4aMcfbc

'Wenders extracts nothing short of the essence of life from repetition and difference...' @KoheiUsuda on Wim Wenders' PERFECT DAYS (2023). Read more in the report from the 36th Tokyo International Film Festival in Issue 108. buff.ly/4aMcfbc
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This Wed 10 April at ACMI we celebrate a true legend of local screen culture with 'Man of the Cinema: A Tribute to John Flaus at 90', screening key performances across three Melbourne-set films. With special introductions by the filmmakers.

Memberships: acmi.net.au/cteq

This Wed 10 April at @ACMI we celebrate a true legend of local screen culture with 'Man of the Cinema: A Tribute to John Flaus at 90', screening key performances across three Melbourne-set films. With special introductions by the filmmakers. Memberships: acmi.net.au/cteq
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In Issue 108, Hamed Sarrafi speaks with filmmaker Rodrigo Moreno, whose film Los delincuentes (The Delinquents) premiered in Un Certain Regard at Cannes in 2023.
buff.ly/3TEIy55

In Issue 108, Hamed Sarrafi speaks with filmmaker Rodrigo Moreno, whose film Los delincuentes (The Delinquents) premiered in Un Certain Regard at Cannes in 2023. buff.ly/3TEIy55
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Join us tomorrow night ACMI for the opening night of In the Afterglow: The Mercurial Stardom of Gloria Grahame, highlighting the key roles of one of the most striking actors of 1940s and ‘50s Hollywood.

7pm: IN A LONLEY PLACE (1950)
8:50pm: THE BAD AND THE BEAUTIFUL (1952)

Join us tomorrow night @ACMI for the opening night of In the Afterglow: The Mercurial Stardom of Gloria Grahame, highlighting the key roles of one of the most striking actors of 1940s and ‘50s Hollywood. 7pm: IN A LONLEY PLACE (1950) 8:50pm: THE BAD AND THE BEAUTIFUL (1952)
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'Does protest work? Can cinema make a difference?' Read Neil Young's report on DOK Leipzig 2023 in Issue 108. buff.ly/3wY04JT

'Does protest work? Can cinema make a difference?' Read Neil Young's report on DOK Leipzig 2023 in Issue 108. buff.ly/3wY04JT
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Our tribute to the Taviani Brothers' extraordinary legacy, presented in partnership with the IIC Melbourne, comes to a close Wed 13 Mar at ACMI.

7pm: CAESAR MUST DIE (2012)
8:30pm: KAOS (1984), 35mm print

Memberships: acmi.net.au/cteq

Our tribute to the Taviani Brothers' extraordinary legacy, presented in partnership with the @iicmelb, comes to a close Wed 13 Mar at @ACMI. 7pm: CAESAR MUST DIE (2012) 8:30pm: KAOS (1984), 35mm print Memberships: acmi.net.au/cteq
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'In a larger sense, Legge’s film is yet another reminder that the most effective visions come from the margins rather than the mainstream commercial cinema...' Read Wheeler Winston Dixon on Andrew Legge's LOLA, now in Issue 108: buff.ly/4c9P1NV

'In a larger sense, Legge’s film is yet another reminder that the most effective visions come from the margins rather than the mainstream commercial cinema...' Read Wheeler Winston Dixon on Andrew Legge's LOLA, now in Issue 108: buff.ly/4c9P1NV
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Read our Annotation by Darragh O'Donoghue on THE NIGHT OF THE SHOOTING STARS in @sensesofcinema: sensesofcinema.com/2024/cteq/the-…

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Tommorow night @acmi we are launching our new season ‘Living May Be Tragic, but Life Isn't’: The Films of the Taviani Brothers with two 35mm prints

7pm THE NIGHT OF THE SHOOTNG STARS (1982)
9.05pm UN UOMO DA BRUCIARE (1962)

Arrive early to join/renew and get your seat

Tommorow night @acmi we are launching our new season ‘Living May Be Tragic, but Life Isn't’: The Films of the Taviani Brothers with two 35mm prints 7pm THE NIGHT OF THE SHOOTNG STARS (1982) 9.05pm UN UOMO DA BRUCIARE (1962) Arrive early to join/renew and get your seat
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'Seeing in the Dark at the Adelaide Film Festival'. Read the full report on the 2023 Adelaide Film Festival in Issue 108. sensesofcinema.com/2024/festival-…
🎞️Marungka Tjalatjunu (Dipped in Black, 2022)

'Seeing in the Dark at the Adelaide Film Festival'. Read the full report on the 2023 Adelaide Film Festival in Issue 108. sensesofcinema.com/2024/festival-… 🎞️Marungka Tjalatjunu (Dipped in Black, 2022)
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Нил Young(@BohemiaStable) 's Twitter Profile Photo

'BABY, THE RAIN MUST FALL … on the Claude Sautet retrospective at the 2023 San Sebastian International Film Festival': my report for Senses of Cinema
sensesofcinema.com/2023/festival-…

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'It was a heartrending adventure, one that changed our lives...' In Issue 108, read the English-language translation of Orlando Senna’s memoir on the production of Iracema – Uma Transa Amazônica (Orlando Senna, Jorge Bodanzky, 1974): buff.ly/42WDxcb

'It was a heartrending adventure, one that changed our lives...' In Issue 108, read the English-language translation of Orlando Senna’s memoir on the production of Iracema – Uma Transa Amazônica (Orlando Senna, Jorge Bodanzky, 1974): buff.ly/42WDxcb
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