Suanshu Khurana(@SuanshuKhurana) 's Twitter Profileg
Suanshu Khurana

@SuanshuKhurana

Senior Assistant Editor @IndianExpress. Trained classical vocalist, music writer, tech phobe, coffee lover, RNG Award 2013

ID:46861140

linkhttps://indianexpress.com/profile/author/suanshu-khurana/ calendar_today13-06-2009 09:51:43

6,5K Tweets

13,3K Followers

1,3K Following

Suanshu Khurana(@SuanshuKhurana) 's Twitter Profile Photo

For me, one of the biggest issues with , among a few significant others, is the dance. Every actor trying to present Kathak, is so so stiff, with no grace, finesse or adaa. If your actor is playing a courtesan and cannot present the basic Kathak properly, get another.

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The Indian Express(@IndianExpress) 's Twitter Profile Photo

Writer Moin Beg on how the world of Lahore’s courtesans and their crucial role in the Independence struggle led him to write the story of Heeramandi and the two decades it took before Sanjay Leela Bhansali brought it to life.

Read 👇🏽

indianexpress.com/article/expres…

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Bedardi baalma in the poignant Charukeshi remains an eternal favourite. The haunting saxophone interludes are lovely.

youtube.com/watch?v=qixsOf…

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symbolises the dichotomy of Punjab- the co-existence of opposites where riot and revelry inhabit the same space. Partly to find sanity. Partly because its day today has always been so rooted in music & poetry
indianexpress.com/article/opinio… via The Indian Express

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AR Rahman's tunes for Chamkila are inventive in parts.. But it's out-and-out an Irshad Kamil triumph. The lyricist has successfully navigated the difficult terrain, allowing us to be in the sensory space that belongs to the lore of
indianexpress.com/article/entert…

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Aakash Joshi(@Joshi_Uncle) 's Twitter Profile Photo

It's been fascinating to learn (as someone who didn't know anything) of the tensions and connections between orthodoxy, caste, and creativity in Carnatic music. And how T M Krishna has challenged and enriched the practice and art. Do read Suanshu Khurana

indianexpress.com/article/opinio…

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| The Sangita Kalanidhi is not only well-deserved. It’s also a message to the divided world of Carnatic classical music to look within

✍🏻 Suanshu Khurana

indianexpress.com/article/opinio…

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Namrata Joshi(@Namrata_Joshi) 's Twitter Profile Photo

Blockbuster Cinévesture International Film Festival conversations, powered by Nina Lath and diligently put together by lancy and Sanjana Takru… All details and delegate passes and day tickets available at ciff.in and bookmyshow.in Come one come all to Taj Hotels Chandigarh

Blockbuster @CIFF2024 conversations, powered by @NinaLathGupta and diligently put together by @lancyjohn and Sanjana Takru… All details and delegate passes and day tickets available at ciff.in and bookmyshow.in Come one come all to @TajHotels Chandigarh
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Days after Madras Music Academy awarded T M Krishna with the Sangita Kalanidhi, an open war broke out in the Carnatic classical establishment with a number of musicians protesting against the move

Suanshu Khurana reports
indianexpress.com/article/entert…

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In a chat with The Indian Express TM Krishna called the award a “humbling and special moment'. In 2015, he opted out of singing at the Music Academy after he felt that the December Music Season, was driven by “commodification” besides being “socially stifling” indianexpress.com/article/lifest…

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In a very interesting decision by the themusicacademymadras , Carnatic classical vocalist T M Krishna has been conferred the prestigious Sangita Kalanidhi Samman, the highest recognition in Carnatic classical music.

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Express Explained 🔍(@ieexplained) 's Twitter Profile Photo

Among the seven awards swept up by Christopher Nolan’s 'Oppenheimer' at the 96th Academy Awards on Monday was 39-year-old Swedish composer Ludwig Göransson’s prize for Best Original Score.

Suanshu Khurana explains what makes him distinctive:

indianexpress.com/article/explai…

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Chor, a sparkling ditty which draws on the idea of renouncing hatred and divisions in the world, has taken the social media by a storm. Here's a conversation with Justh, the singer of the piece
The Indian Express
indianexpress.com/article/expres…

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🔊In this episode, remember Ameen Sayani’s and hear from Usha Uthup , Saeed Mirza, and Derek O’Brien, who remember the radio legend very fondly.
But to talk about his career we are first joined by Indian Express’ Suanshu Khurana .

Listen: indianexpress.com/audio/3-things…

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performed ghazals like light music, in a voice that didn’t have the refinement and virtuosity of the heavyweights like Mehdi Hassan or Ghulam Ali, or even Jagjit Singh. But he remained popular. For the accessibility of simple tunes & lyrics
indianexpress.com/article/opinio…

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It was ‘Chitthi aayi hai' in Mahesh Bhatt's Naam that moved millions, especially the diaspora, to tears, propelling to a significant stature at a time when the world of ghazals was ruled by many big names. An obit. indianexpress.com/article/entert…… via The Indian Express

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Ameen Sayani, the golden voice of India that revolutionised radio presentation, falls silent

Read about his legacy here 👇🏽
indianexpress.com/article/entert…

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Sobhana K Nair(@SobhanaNair) 's Twitter Profile Photo

took you to an India that once was.

Suanshu Khurana at her usual best, chronicling the life of India's original radio star.

indianexpress.com/article/entert…

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Suanshu Khurana(@SuanshuKhurana) 's Twitter Profile Photo

Ameen Sayani, the golden voice of India that revolutionised radio presentation, falls silent. An obituary indianexpress.com/article/entert… via The Indian Express

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