My new piece, 'Misinformation's Missing Human' was just released. journals.sagepub.com/doi/10.1177/01…

Glan Gwna Holiday Park, Caernarfon, 1987.

Photo © Mark McNulty, all rights reserved.

🧵 On Those Classic Cultural Twitter Accounts

Someone on here questioned why I would say that accounts like the one below are dog whistles for white supremacy.

Well, ok. Let's do this.

In this new Human-Machine Communication article, Iliana Depounti 🤖💬 and I discuss Artificial Sociality, i.e. communicative AI technologies that create the impression of social behavior stars.library.ucf.edu/hmc/vol7/iss1/… (thread)

3* very rare cases where youre allowed to (dare i say encouraged to) deadname

📢Excited to announce the Vision for Art (VISART) Workshop European Conference on Computer Vision #ECCV2024 will be back in Milan 📢

Provisonal Information at: visarts.eu

(We will get dates soon!)

This edition with the fantastic work of my co-chairs Amanda Wasielewski, Nanne van Noord, Noa Garcia, Peter Bell

.Amanda Wasielewski (@UU_University) talks about computational formalism beyond art history at the Visipedia retreat Pioneer Centre for AI

amandawasielewski.com

👉Today we're launching this investigation into LAION-5B, the blockbuster dataset behind Midjourney and Stable Diffusion. It's a deep dive into how the dataset was made, and where the images come from. The brilliant Christo Buschek & Jer Thorp follow the models all the way down.

the crows have been freed up from working the land due to higher agricultural productivity and are converged on industrial cities to partake in booming commerce, trade, and industry

Good news for those of us in the field of digital art/art history: Tina Rivers Ryan is the new art forum editor in chief artnews.com/art-news/news/…

😦 this is like grandma’s locket again… like what? wild

Digarv proudly presents: AI and Visual Heritage – open seminar at the Stockholm City Museum 11 June. Speakers include James E. Dobson and Amanda Wasielewski and Fabian Offert Registration required – programme and more info at digarv.se/blogg/

Book proofs are finally here! Critical Digital Art History coming your way November 2024 🎉 It's been a long process that began in 2020 but glad to see this book is finally coming together now #dah #digitalhumanities #dh #digitalarthistory #arthistory

I wrote about the soul-sucking labor of self-promotion and 'audience building' that basically every artist/journalist/creative worker has to do now ... unless they are very lucky vox.com/culture/2024/2…

It's publication day! 📖🥳

Our chapter on structuring provenance data with AI is out in #OpenAccess today.

We're thrilled & grateful to be in great company in this excellent volume on #collectionsresearch in the age of #AI .

#digitalprovenance #museum #newpublication

Emergent Digital Media on critical #art , #generative #media and #AI studies with Hito Steyerl and me at art academy Munich now at generativemedia.net

(c0m3 0v3r to mast0d0n 0r w3bsit3, I ign0r3 m3ssag3s h3r3)

✴️DataThink 2024. AI & Cities: Sampling the Past, Interpreting the Present in Future Tense.
March 4-8, Rome
👉Apply until Feb 5.
Keynote Speaker: Silvio Carta
Co-organized by Shin Koseki UNESCO Chair in Urban Landscape and Darío Negueruela @[email protected] hosted by Bibliotheca Hertziana
Info: datathink-dt.github.io/2024/

Wow! What an amazing review of Agri Ismaïl's brilliant book that will be released next week theguardian.com/books/2024/jan…

Happy new year!

A little reminder that, in less than 2 weeks, i'm going to be having two book launch events:
1. at Daunt Holland Park in London, on the 11th of January, at 18:30
2. at Lemon Bar in Stockholm, on the 12th of January, at 18:00