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nycballet

@nycballet

One of the foremost dance companies in the world, with a roster of nearly 100 extraordinary dancers and an unparalleled repertory.

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linkhttp://nycballet.com calendar_today08-07-2008 14:58:46

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Brahms-Schoenberg Quartet was the first plotless ballet Balanchine created for our Lincoln Center stage in 1966, and was imbued with sufficient grandeur to mark the occasion.

Don't miss the exuberant work on the All Balanchine program this spring: nycballet.com/balanchinespri…

#TBT Brahms-Schoenberg Quartet was the first plotless ballet Balanchine created for our @LincolnCenter stage in 1966, and was imbued with sufficient grandeur to mark the occasion. Don't miss the exuberant work on the All Balanchine program this spring: nycballet.com/balanchinespri…
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A duet between Principal Dancer Chun Wai Chan and Soloist Miriam Miller in Justin Peck's Pulcinella Variations, returning this spring on the All Stravinsky program: nycballet.com/stravinsky

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For the cast of Gianna Reisen's Play Time, navigating ballet steps and partnering in costumes heavy with 20,000 Swarovski crystals is a unique challenge. For Christina Clark, it is also a unique privilege to perform in a work by a childhood friend: youtu.be/GLKxsugL2pg

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Pam Tanowitz's Law of Mosaics culminates with the only solo in the work that is performed barefoot. Here, originator sara mearns delivers a powerful interpretation during her debut.

See it again this spring on Contemporary Choreography II: nycballet.com/contemporarych…

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We're just two weeks out from Spring 2024, the final installment of our epic 75th Anniversary Season that looks towards The Future of New York City Ballet's artistry. Explore programming at nycballet.com/spring-2024

Or browse flex subscription options at nycballet.com/subscribe24

We're just two weeks out from Spring 2024, the final installment of our epic 75th Anniversary Season that looks towards The Future of New York City Ballet's artistry. Explore programming at nycballet.com/spring-2024 Or browse flex subscription options at nycballet.com/subscribe24
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Like perusing a museum, Alexei Ratmansky's Pictures at an Exhibition evokes a range of emotions. Experience the singular 2012 work this spring on Contemporary Choreography I: nycballet.com/contemporarych…

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Christopher Wheeldon's Scènes de Ballet depicts young dancers studying their 'reflections' across a stage ingeniously bisected by a barre.

Catch Scènes de Ballet on the All Stravinsky program this spring: nycballet.com/stravinsky as well as our Sensory Friendly program on May 19.

Christopher Wheeldon's Scènes de Ballet depicts young dancers studying their 'reflections' across a stage ingeniously bisected by a barre. Catch Scènes de Ballet on the All Stravinsky program this spring: nycballet.com/stravinsky as well as our Sensory Friendly program on May 19.
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75 Years of the Extraordinary: Despite its lack of conventional libretto, stage design, pantomime, or costuming, George Balanchine's Agon overcame Sebastián Villarini-Vélez with emotion during the first NYCB performance he attended, igniting his desire to join the Company.

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Justin Peck's Year of the Rabbit was his first of four eventual collaborations with Sufjan Stevens for NYCB. The work draws on its electronica score to present uncommon, visually arresting shapes and formations.

On our Classic NYCB II program in May: nycballet.com/classicnycb2sp…

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A 1965 production of Symphony in C by Martha Swope. Originally choreographed in 1947 on Ballet Opéra Paris as Le Palais de Cristal, Balanchine refined it into Symphony in C for his company in 1948.

Catch it on the All Balanchine program this spring: nycballet.com/balanchinespri…

#TBT A 1965 production of Symphony in C by Martha Swope. Originally choreographed in 1947 on @BalletOParis as Le Palais de Cristal, Balanchine refined it into Symphony in C for his company in 1948. Catch it on the All Balanchine program this spring: nycballet.com/balanchinespri…
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We joined DanceTheatreofHarlem to honor Arthur MItchell on the 90th anniversary of his birth as part of New York City Center's Studio 5 series. Performances included the Agon pas de deux ft. Chun Wai Chan and Savannah Durham. Stream through April 9: youtu.be/li1ba7drg5M

📷 Natalya Urmanova

We joined @DTHballet to honor Arthur MItchell on the 90th anniversary of his birth as part of @NYCityCenter's Studio 5 series. Performances included the Agon pas de deux ft. @chunwaichan and Savannah Durham. Stream through April 9: youtu.be/li1ba7drg5M 📷 Natalya Urmanova
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As the onstage pianist plays the namesake Caroline Shaw score of Gustave Le Gray No. 1, the instrument itself plays a vital role in the work when the cast ferries it cross-stage.

Don't miss the singular Pam Tanowitz work on Classic NYCB II: nycballet.com/classicnycb2sp…

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Jerome Robbins' Dances at a Gathering returns this spring for the first time in nearly five years. Get lost in the piano melodies and pastel chiffon that both define and transcend an era in neoclassical dance from April 26–May 12 on Masters at Work: nycballet.com/mastersatwork

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The re-launch of The New York Times' Speaking in Dance series, an exploration of movement curated by their dance critic Gia Kourlas, features Principal Dancer Joseph Gordon performing the central solo he originated in Alexei Ratmansky's Solitude. Watch it in full at nyti.ms/4cIyuRm

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We look forward to welcoming guest artists from @ABTballet to perform Jerome Robbins' Other Dances on select Classic NYCB II programs this spring: nycballet.com/classicnycb2sp…

Hear from Tiler Peck on being coached in the work by originator Mikhail Baryshnikov: youtube.com/watch?v=eFvnuR…

We look forward to welcoming guest artists from @ABTballet to perform Jerome Robbins' Other Dances on select Classic NYCB II programs this spring: nycballet.com/classicnycb2sp… Hear from @tilerpeck on being coached in the work by originator Mikhail Baryshnikov: youtube.com/watch?v=eFvnuR…
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Justin Peck's In Creases, known for its complex geometric structures and unique patterns, returns this spring on the Classic NYCB I program.

Experience Peck's first work for NYCB alongside his upcoming world premiere this spring: nycballet.com/classicnycb1sp…

Justin Peck's In Creases, known for its complex geometric structures and unique patterns, returns this spring on the Classic NYCB I program. Experience Peck's first work for NYCB alongside his upcoming world premiere this spring: nycballet.com/classicnycb1sp…
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Watch Former Principal Dancer Lauren Lovette reflect on Jerome Robbins' Interplay, and discover why it held a special place in her repertory: youtube.com/watch?v=9ieEG1…

Catch Interplay this spring on our Classic NYCB II program: nycballet.com/classicnycb2sp…

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Are you ready for more Rubies this spring on the Classic NYCB I program?

Revisit this conversation between Megan Fairchild & Emma Von Enck about preparing to perform in the punchy central pas de deux: nycballet.com/discover/stori…

Tickets are available now at nycballet.com/classicnycb1sp…

Are you ready for more Rubies this spring on the Classic NYCB I program? Revisit this conversation between @FairchildMegan & Emma Von Enck about preparing to perform in the punchy central pas de deux: nycballet.com/discover/stori… Tickets are available now at nycballet.com/classicnycb1sp…
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During our Sadler's Wells engagement, we were thrilled to present a student workshop in collaboration with U.S. Embassy London, led by Associate Artistic Director Wendy Whelan and attended by US Ambassador to the UK Jane Hartley and Executive Director Katherine Brown. Here's a glimpse:

During our @Sadlers_Wells engagement, we were thrilled to present a student workshop in collaboration with @USAinUK, led by Associate Artistic Director Wendy Whelan and attended by US Ambassador to the UK Jane Hartley and Executive Director Katherine Brown. Here's a glimpse:
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Suzanne Farrrell in Errante, the work George Balanchine choreographed on her under the title Tzigane, originally named for its 1924 Ravel score.

See it revived on the All Balanchine program, opening Spring performances on April 23: nycballet.com/balanchinespri…

📷 Martha Swope

#TBT Suzanne Farrrell in Errante, the work George Balanchine choreographed on her under the title Tzigane, originally named for its 1924 Ravel score. See it revived on the All Balanchine program, opening Spring performances on April 23: nycballet.com/balanchinespri… 📷 Martha Swope
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