. #DouglasGordon Plaster Magazine Issue 7.

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Grab a copy of our limited-edition print with John Akomfrah now: buff.ly/3W5ZW5t

There's something fishy about Izumi Kato's First and Last... buff.ly/3K0x2fP

If art galleries were football clubs, which would be which? With the Premier League approaching its climactic ending, Milo Astaire put his footy and art knowledge to the test by matching up clubs and galleries. Chelsea fans, don't read on... buff.ly/3yeTyz8

“Just because something’s new to me, doesn’t mean it’s undiscovered.” Harriet Lloyd-Smith speaks to Photo London's Discovery curator Charlotte Jansen about the trials and transformative power of spotlighting emerging photography: buff.ly/3yo77fD

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You didn't ask for our Venice guide, but apparently, you loved it, so for Photo London we've asked around our network for the best things to see, and where to shop, eat, drink and stay this weekend: buff.ly/3wpQpMl

For the latest edition of The Radar, we brought together some of our favourite newly discovered artists: Shaun Pierson, Joseph Jones and Fern O’Carolan: buff.ly/3yhK5XM

Get your hands on our limited-edition Venice special print with John Akomfrah 💥 buff.ly/3W5ZW5t

Orlando Whitfield's new memoir 'All That Glitters' details the rise and fall of his former friend and convicted fraudster, the art dealer Inigo Philbrick: buff.ly/4a6vk7j

In a personal essay for Plaster, June Givanni reflects on 40 years of admiration, friendship and collaboration with filmmaker John Akomfrah: buff.ly/4a8IBwi

Pieter-Jan de Paepe chats with painter Julia Adelgren about Baudelaire’s poetry, John Cassavetes and Copenhagen landscapes ahead of her recent show, 'Roseate Nights' at ADZ Gallery in Lisbon 🌹 🌙 buff.ly/3QtWYUV

Last Thursday we celebrated the launch of our Venice special print issue with John Akomfrah at Reference Point. A big shout-out to everyone who came along 💥 Get your hands on a limited edition copy: buff.ly/3W5ZW5t

From bigshots Damien Hirst and Jeff Koons, via art world titans Cindy Sherman and Wolfgang Tillmans, to a younger generation of artists, 'Le monde comme il va' reveals contemporary artists’ heightened awareness of the present: buff.ly/3JFssDN

Frank Lebon pictures the blood that binds us all in his first monograph, 'ONE BLOOD'. Lebon's lens moves from the micro to the macro, putting photographs of his friends' and family's own blood alongside portraits and landscapes that speak to him: buff.ly/3JFSrL9

'You are the cow, a walking, breathing commodity, shuffling down the rail to your doom.' As Aria Dean's first UK show, 'Abbatoir', at Institute of Contemporary Arts comes to a close, revisit our interview with the artist in Brooklyn: buff.ly/42GIBBq

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I finally wrote about the bizarre Marina Abramović skincare line and had a spiral about my own mortality, how artistic heroes always fail you, and teens on alpha-hydroxy acids. My latest column for Plaster Magazine plastermagazine.com/articles/is-ma…

Can you beat the 'almost impossible' addiction pathway in Danielle Brathwaite-Shirley's video game? Find out in 'THE REBIRTHING ROOM' at Studio Voltaire before the show closes on Sunday: buff.ly/3ujbbMF

We unpack the myth behind cult maestro Harmony Korine in a 360 review of his latest film and paintings, as three writers visit the London leg of Korine’s “world tour': buff.ly/3UMm4zz

#harmonykorine #edglrd #aggrodr1ft

Interviewed the debutant of the year DAYTIME GEOFF NIGHTTIME GEOFF pre-order mean boys immediately if not sooner
plastermagazine.com/articles/from-…

Iconic artist Maggi Hambling reflects on a formative moment of rejection for Plaster Magazine. You can see works by Maggi and her students at Morley Gallery until 26 March 2024. Image: Maggi Hambling, Night clouds (IX) oil on canvas, 2021 (detail).
plastermagazine.com/articles/maggi…