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PORT Magazine

@portmagazine

The intelligent style, culture and design biannual. Issue 32 out now

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linkhttp://port-magazine.com calendar_today02-03-2011 13:15:29

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Oranges were an early, coveted global commodity. In issue 34, Katie Goh (katie goh 吴淑美) visits the first of America’s orange trees, and traces the history that’s sprung from it.
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Sheila Heti’s latest book is a departure from her formally inventive fiction – an ordered selection of a decade’s worth of diaries. In issue 34, she discusses it with fellow author Chloë Ashby.
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In February, Adejoké Bakare became the first black female chef in the UK to win a Michelin star, for her restaurant Chishuru. Guest editor Jeremy Lee caught up with her in the new issue. Photography Adama Jalloh.
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Between his part in Passages and appearances on stage in Waiting for Godot and Bluets, our fifth and final cover star, Ben Whishaw, reflects on his career so far with Kerry Crowe.
All footwear Manolo Blahnik. Photography Chieska Fortune Smith.
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Between his part in Passages and appearances on stage in Waiting for Godot and Bluets, our fifth and final cover star, Ben Whishaw, reflects on his career so far with Kerry Crowe. All footwear Manolo Blahnik. Photography Chieska Fortune Smith. buff.ly/3Uzmdaw
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.hari nef’s glittering career has taken her onto runways, stages, screens, and pages. She discussed her creative life with Hannah Gold (@togglecoat) over a New York lunch in our fourth cover story.

Hari at IMG wears Celine. Photography Bruce Gilden.
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.@harinef’s glittering career has taken her onto runways, stages, screens, and pages. She discussed her creative life with Hannah Gold (@togglecoat) over a New York lunch in our fourth cover story. Hari at IMG wears Celine. Photography Bruce Gilden. buff.ly/4aRd6aY
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In Issue 34’s third cover story, Jason Diamond catches up with Brian Cox as he swaps Succession for the West End. Photography Tom Johnson, Brian Cox wears DIOR SS24 throughout.
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In Issue 34’s third cover story, @imjasondiamond catches up with Brian Cox as he swaps Succession for the West End. Photography Tom Johnson, Brian Cox wears DIOR SS24 throughout. buff.ly/44gen8Y
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Ke Huy Quan’s role in Everything Everywhere All at Once won him an Oscar and a new generation of fans. He discusses his return to acting and rich career with friend and Loki costar Tom Hiddleston in Issue 34’s second cover story. Photography Buck Ellison.
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Ke Huy Quan’s role in Everything Everywhere All at Once won him an Oscar and a new generation of fans. He discusses his return to acting and rich career with friend and Loki costar Tom Hiddleston in Issue 34’s second cover story. Photography Buck Ellison. buff.ly/3QaSGle
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We’re thrilled to unveil Port’s SS24 issue – a food special guest edited by the inimitable Jeremy Lee. Our first cover features the cook himself, and his Editor’s Letter is now online to read.

We’re thrilled to unveil Port’s SS24 issue – a food special guest edited by the inimitable Jeremy Lee. Our first cover features the cook himself, and his Editor’s Letter is now online to read.
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For PORT Magazine, I wrote an essay (!) about my admiration for Smog's 'Drinking at the Dam' and the song's effect on how I think about music, grief, and consciousness.

First time ever writing an essay like this, and seeing it published!! Thank you 🥹
port-magazine.com/music/soundtra…

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Peder Vilhelm Jensen-Klint eschewed the term architect in favour of master builder but, as his church in Copenhagen shows, artist may be closer to the truth
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Peder Vilhelm Jensen-Klint eschewed the term architect in favour of master builder but, as his church in Copenhagen shows, artist may be closer to the truth buff.ly/3ImN3vJ
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Transforming the body through overloading, through the eyes of Gabriele Rosati, Fabio Pace and Luca Notarfrancesco
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The words ‘buckling’ and ‘train track’ were never a good combination… until Girard-Perregaux reinvented the beating heart of the mechanical watch
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“The drawings are a further distillation of what Industrial Facility have already materially achieved – reducing physical objects to their essential minimum.”

In studio with Industrial Facility – words by Deyan Sudjic, photography by Lucy Shortman
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“The drawings are a further distillation of what Industrial Facility have already materially achieved – reducing physical objects to their essential minimum.” In studio with @industrialfacil – words by Deyan Sudjic, photography by Lucy Shortman buff.ly/3ujCYwp
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Fedora Abu talks to Harris Elliott, one of the curators behind The Missing Thread, Somerset House’s blockbuster exhibition on Black British fashion.
port-magazine.com/fashion/connec…

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Fedora Abu talks to Harris Elliott, one of the curators behind The Missing Thread, Somerset House’s blockbuster exhibition on Black British fashion.
port-magazine.com/fashion/connec…

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