Dugsi Dayz review - Royal Court Theatre, London ★★★★☆

'An insightful play that stands, not just as a knowing take on The Breakfast Club, but on its own merits'

Read our review of Sabrina Ali's Dugsi Dayz at Royal Court

theartsdispatch.com/dugsi-dayz-rev…

The Cherry Orchard review - Donmar Warehouse, London ★★★★★

'What a timely, necessary and radical piece of theatre'

Jim reviews The Cherry Orchard at Donmar Warehouse

theartsdispatch.com/the-cherry-orc…

Jekyll & Hyde - Original Theatre ★★★★☆

'Forbes Mason carefully ramps up the tension'

Read our review of the production, streaming on Original., now:

theartsdispatch.com/jekyll-hyde-or…

Philip Arditti and Nina Bowers on English Kings Killing Foreigners

'The Office meets Black Swan, with a dash of identity politics'

Read our interview with 𝙿𝚑𝚒𝚕𝚒𝚙 A𝚛𝚍𝚒𝚝𝚝𝚒 and Nina Bowers as they get their run underway at Camden People's Theatre

theartsdispatch.com/philip-arditti…

This is Memorial Device review – Riverside Studios, London ★★★☆☆

'A love song to the early 80’s punk scene'

Read the review now: theartsdispatch.com/this-is-memori…

FADE review - Leeds Playhouse ★★☆☆☆

“Despite the weighty subjects it all feels inconsequential”

Read the review now: theartsdispatch.com/fade-review-le…

Thanks so much to The Arts Dispatch for this really thorough interview with our creative team about the process of making #FADE2024 & the ethos behind the project! We open tonight Leeds Playhouse & run til Sat with BSL on Fri theartsdispatch.com/in-conversatio…

Paul F Taylor on touring Head in the Clouds

'I’ve always had a very hyperactive brain'

Paul F Taylor talks with us about his tour which kicks off on 4 May

theartsdispatch.com/paul-f-taylor-…

Bessy Ewa on A Chorus of Disapproval at Salisbury Playhouse

Bessy Ewa tells us about taking on Alan Ayckbourn’s comedy at Salisbury Playhouse part of Wiltshire Creative

Read the interview now

theartsdispatch.com/bessy-ewa-on-a…

Forced Entertainment (Forced Entertainment) have announced details of their 2024 40th Birthday tour with visits to the UK, Germany, Belgium, Greece and other European venues and festivals.

The tours include To Move in Time, playing at The Rep this May.

In Conversation: Alice Christina-Corrigan and the team behind FADE

Ahead of performances at Leeds Playhouse this week, we hear from Alice Christina-Corrigan and the team behind FADE about the production.

Read it now:
theartsdispatch.com/in-conversatio…

BEATS review - King's Head Theatre, London ★★★★☆

'Told with brilliant simplicity'

Read Natalie Evans' review of BEATS at King's Head Theatre now

theartsdispatch.com/beats-review-k…

1884 review - Shoreditch Town Hall, London ★★★★☆

'The most unique piece of theatre I have ever seen'

Ethan Skillman reviews the new immersive show at Shoreditch Town Hall

Read the review now
theartsdispatch.com/1884-review-sh…

The Ballad of Hattie and James review - Kiln Theatre, London ★★★★☆

'This harmonious history of love, life and loss is a must-see for fans of sporadic non-linear dramas and piano lovers alike'

@carlarudgyard reviews the new play at Kiln Theatre

theartsdispatch.com/the-ballad-of-…

The Comeuppance review - Almeida Theatre, London ★★★☆☆

'Real tension that holds you throughout'

Read our review of The Comeuppance at Almeida Theatre now

theartsdispatch.com/the-comeuppanc…

Player Kings review – Noël Coward Theatre, London ★★★☆☆

'Overlong, uneven and utterly unmissable... an incredible central performance by Ian McKellen'

Read Jim's review now

theartsdispatch.com/player-kings-r…

Artificially Yours review - Riverside Studios, London ★★★★☆

'A funny and heartfelt piece'

Ethan Skillman reviews Artificially Yours at Riverside Studios

theartsdispatch.com/artificially-y…

Theatre-makers! Clowns! Comedians! Circus acts! Magicians! Are you heading to Glastonbury? Me too! I’ll be running previews/interviews ahead of the festival and reviewing the best of Theatre & Circus

Drop me a message if you’re interested in an interview/preview of your set!

Aiyana Bartlett on Testmatch at Orange Tree Theatre

'The first time I read it, I was laughing, crying, getting angry, in shock, in awe - it took me on a ride!'

Read our interview with Aiyana Bartlett about her role in Testmatch at Orange Tree Theatre now

theartsdispatch.com/aiyana-bartlet…