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The Schlock Pit

@theschlockpit

Scares! Skin! Action! Sci-Fi! B-movies & all things direct-to-video with @mattybudrewicz & @thedavewain. Tweets by @JulianTheIntern.

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linkhttp://www.theschlockpit.com calendar_today05-01-2017 00:03:18

4,4K Tweets

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1,7K Following

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Words on INTERCEPTOR FORCE (1999) (aka ‘The Last Line of Defense’): an underwhelming but important sci-fi pic from Phillip J. Roth and the Unified Film Organization.

🔗 theschlockpit.com/2023/05/24/int…

Words on INTERCEPTOR FORCE (1999) (aka ‘The Last Line of Defense’): an underwhelming but important sci-fi pic from Phillip J. Roth and the Unified Film Organization. 🔗 theschlockpit.com/2023/05/24/int…
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“If you’re the right guy, in the right place, at the right time , you can get away with anything.”

FAST GETAWAY (1991) | Dir. Spiro Razatos | Starring: Corey Haim, Cynthia Rothrock

U.S. video art swiped from VHSCollector.com!

“If you’re the right guy, in the right place, at the right time , you can get away with anything.” FAST GETAWAY (1991) | Dir. Spiro Razatos | Starring: Corey Haim, Cynthia Rothrock U.S. video art swiped from @VHSCollector!
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“My favourite three letters,” the mighty David DeCoteau once told us. ”Without them, I wouldn’t have a career!”

“My favourite three letters,” the mighty David DeCoteau once told us. ”Without them, I wouldn’t have a career!”
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NEW REVIEW:

Matty Budrewicz has a rollickin’ good time with Fred Olen Ray’s solid Die Hard riff, CRITICAL MASS (2001).

🔗 theschlockpit.com/2024/04/08/cri…

NEW REVIEW: @mattybudrewicz has a rollickin’ good time with Fred Olen Ray’s solid Die Hard riff, CRITICAL MASS (2001). 🔗 theschlockpit.com/2024/04/08/cri…
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Sure ain’t the movie it’s swiped its art from — apparently, this is actually the Korean cover for Umberto Lenzi’s 1989 TV pic Hell’s Gate — but ’Stuart Gordon’s Gates of Hell’ certainly sounds like something we’d have happily watched.

Sure ain’t the movie it’s swiped its art from — apparently, this is actually the Korean cover for Umberto Lenzi’s 1989 TV pic Hell’s Gate — but ’Stuart Gordon’s Gates of Hell’ certainly sounds like something we’d have happily watched.
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A few words on THE MIDAS TOUCH (1997): a lively family flick, and the final collaboration between producer Charles Band and director Peter Manoogian.

🔗 theschlockpit.com/2023/03/19/the…

A few words on THE MIDAS TOUCH (1997): a lively family flick, and the final collaboration between producer Charles Band and director Peter Manoogian. 🔗 theschlockpit.com/2023/03/19/the…
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A few notes on PROBABLE CAUSE (1994): a telepic soaking with substance.

🔗 theschlockpit.com/2023/01/02/pro…

A few notes on PROBABLE CAUSE (1994): a telepic soaking with substance. 🔗 theschlockpit.com/2023/01/02/pro…
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Your required watch this Easter weekend.

Now if Mulcahy and Lambert would — wait for it — resurrect their artistic union once more, we’d die happy discerning film fans.

Your required watch this Easter weekend. Now if Mulcahy and Lambert would — wait for it — resurrect their artistic union once more, we’d die happy discerning film fans.
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“If you can get past the lo-if production values, Russo’s cheapie works as the missing link between the pioneering strokes of Henry: POASK and the first-person immersion of The Poughkeepsie Tapes.”

Words on MIDNIGHT 2: SEX, DEATH & VIDEOTAPE (1993):

🔗 theschlockpit.com/2021/04/29/mid…

“If you can get past the lo-if production values, Russo’s cheapie works as the missing link between the pioneering strokes of Henry: POASK and the first-person immersion of The Poughkeepsie Tapes.” Words on MIDNIGHT 2: SEX, DEATH & VIDEOTAPE (1993): 🔗 theschlockpit.com/2021/04/29/mid…
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Scripter Dode Levenson on what went down — so to speak — during the making of his erotic thriller, MUTUAL NEEDS (1997):

🔗 theschlockpit.com/2023/09/03/mut…

Scripter Dode Levenson on what went down — so to speak — during the making of his erotic thriller, MUTUAL NEEDS (1997): 🔗 theschlockpit.com/2023/09/03/mut…
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