Saurabh (they/them)(@writerly_life) 's Twitter Profileg
Saurabh (they/them)

@writerly_life

Words in Business Standard, Moneycontrol, Firstpost, Mint, Open, Outlook, The Chakkar, Deccan Herald, Scroll, The Hindu, The Telegraph, FII, & Gaysi.

ID:1180775690251075585

linkhttps://muckrack.com/saurabhsharma calendar_today06-10-2019 09:24:08

3,0K Tweets

857 Followers

1,7K Following

Gautam Choubey(@GautamChoubey9) 's Twitter Profile Photo

For nearly 38 years on the trot, Gopal Ram Gahmari (1866-1946) edited 'Jasoos,’ Hindi's first detective monthly. He also wrote novels and translated Tagore. Sadly, in a country obsessed with crime fiction and literary sleuths, his legacy remains overlooked.
Ashutosh Thakur

For nearly 38 years on the trot, Gopal Ram Gahmari (1866-1946) edited 'Jasoos,’ Hindi's first detective monthly. He also wrote novels and translated Tagore. Sadly, in a country obsessed with crime fiction and literary sleuths, his legacy remains overlooked. @ashutosh_mdb
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Srila Roy(@ProfSrilaRoy) 's Twitter Profile Photo

If We Say Yes lrb.co.uk/the-paper/v46/…

On signing letters, even as we may not agree with every word.

Yes, academics, it’s actually possible to prioritise solidarity over nitpicking and nuance.

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সোহিনী 🌻 | ஸோஹினி | Sohini(@sohinichat) 's Twitter Profile Photo

Why I fell in love with Nilanjana Roy, part 1
Praise for Runner *and* my journalism from the Jaipur litfest stage!
*And* being aligned with the best of the best = Neha Dixit Pragya Tiwari Supriya Sharma Betwa Sharma
Thank you @nilanjanasroy and paving the way for us too

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Westland Books(@WestlandBooks) 's Twitter Profile Photo

'Chronicle... cements the arrival of a fine literary talent.'

Read Saurabh (they/them)'s review of Saharu Nusaiba Kannanari's brilliant debut, Chronicle of an Hour and a Half.

Available at all bookstores and online.

A Suitable Agency
hindustantimes.com/books/review-c…

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Mirza Arif Beg(@Iammirzaarif) 's Twitter Profile Photo

Amazing how so many political observers — some self-proclaimed, of course — think it’s the first time that a certain man has sunk to a new low in his speeches. He’s made a career out of saying & doing the most atrocious things while you all called him a “charismatic speaker.”

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Dr. Namrata Poddar (on Instagram at writerpoddar)(@poddar_namrata) 's Twitter Profile Photo

Amid all critiquing Smith’s essay (aptly so), why isn’t anyone calling out those CO-responsible? & the KEY role of literary gatekeepers/editors? Who decided Smith deserves the mic here? Has New Yorker offered the mic to ANY Pal-estinian for “complexity”? How many major pubs have?

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The Chakkar(@TheChakkar) 's Twitter Profile Photo

Debut novelist Atharva Pandit discusses exploring the complexities of human behaviour in HURDA. “Just because someone has the ‘right’ stance about something does not necessarily mean that they are an overall decent person.”

Interview by Saurabh (they/them) thechakkar.com/home/atharvapa…

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Rahul Ranjan(@Ranjana_rahul) 's Twitter Profile Photo

I had an interview with lovely Saurabh (they/them) about my book: The Political Life of Memory.

“Birsa Munda is a political maverick for me. A 19th-century anticolonial canon, he made a clarion call, reinstating “Abua Disum, Abua Raj” (My Village, my rule)

writerlylife.substack.com/p/abua-disum-a…

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The Chakkar(@TheChakkar) 's Twitter Profile Photo

“I realized HURDA cannot be one person’s story”—An interview with Atharva Pandit
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The debut novelist discusses why he chose to render the true-crime story as fiction in ‘Hurda’, the polyphonic nature of the narrative, and more. By Saurabh (they/them)

thechakkar.com/home/atharvapa…

“I realized HURDA cannot be one person’s story”—An interview with @AtharvaPandit3 . The debut novelist discusses why he chose to render the true-crime story as fiction in ‘Hurda’, the polyphonic nature of the narrative, and more. By @writerly_life thechakkar.com/home/atharvapa…
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Hamd Nawaz(@_SophieSchol) 's Twitter Profile Photo

Just watched Heeramandi. Found everything but heermandi in it.

I mean either you don’t set your story in 1940’s Lahore, or if you do- you don’t set it in Agra’s landscape, Delhi’s Urdu, Lakhnavi dresses and 1840’s vibe. My not-so-sorry Lahori self can’t really let it go.

Just watched Heeramandi. Found everything but heermandi in it. I mean either you don’t set your story in 1940’s Lahore, or if you do- you don’t set it in Agra’s landscape, Delhi’s Urdu, Lakhnavi dresses and 1840’s vibe. My not-so-sorry Lahori self can’t really let it go.
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Samarth Bansal(@PySamarth) 's Twitter Profile Photo

🗞️Friends, some news: On World Press Freedom Day, excited to share that I'm starting The Plank—a new magazine to help our readers become better citizens.

Here is our manifesto/pitch call: theplank.co/pitch-call

Send me story ideas.

Can you please share/RT? Thank you!

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HarperCollins(@HarperCollinsIN) 's Twitter Profile Photo

‘To see Hindu nationalism as a monolith or as historically inevitable rather than engineered is to give its agenda power.’

talks to Saurabh (they/them) about her stunning debut novel . Hindustan Times hindustantimes.com/books/devika-r…

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Pan Macmillan India(@PanMacIndia) 's Twitter Profile Photo

‘Accessible, immersive and searing’ Read Saurabh (they/them)’s review of DESCENT INTO PARADISE by Daniel Bosley – an essential account of the Maldives in Business Standard:
business-standard.com/book/the-parad…

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