Philip Clark
@MusicClerk
Writer; Brubeck biographer; "Sound & The City" coming in 2025 @WhiteRabbitBks @HachetteBooks; Eccles Centre & Hay Writer's Award Winner; Agent @taffyagent
ID:567249914
https://www.curtisbrown.co.uk/client/philip-clark 30-04-2012 14:07:26
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The inner workings of Sonny Rollins' brain - my review of the Rollins Notebooks for The Spectator World
thespectator.com/book-and-art/u…
“Nobody could write uncomplicated affirmation like Bernstein…tonality for him could never just be blind affirmation. Composition needed to express doubt and disorientation, too; affirmation sometimes needed to be tested against uncertainty.” —Philip Clark go.nybooks.com/3vOvn9t
My review of Will Hermes' fine new biography of Lou Reed for The Spectator World
thespectator.com/book-and-art/l…
Rethinking Leonard Bernstein and modern music in the light of a problematic biopic - my essay for The New York Review of Books
nybooks.com/articles/2024/…
Our 2/8 issue is now online, with Philip Clark on Bernstein and Maestro, David Cole on cancel culture, Laura Kolbe on that time of the month, Vivian Gornick on Lore Segal, Geoffrey O’Brien on hard-boiled gumshoes, and much more. go.nybooks.com/47zAcAJ
James Bond is a man of mystery—and so was his author, Ian Fleming.
Does a new biography of Fleming finally get to the bottom of this undemonstrative man?
Not quite, says Philip Clark:
prospectmagazine.co.uk/culture/64485/…
My piece about Chuck Berry for the latest issue of The New York Review of Books
nybooks.com/articles/2023/…