The Ross brothers' GASOLINE RAINBOW opens May 10. I dig their hybrid filmmaking approach, and I think their latest is one of their strongest. My Venice review from last year: screendaily.com/reviews/gasoli…

TITICUT FOLLIES (1967) 35mm print courtesy of the Library of Congress 🎞️

Frederick Wiseman’s 1st feature as director is playing Sun. 4/14 @ 12pm @ the Egyptian followed by a pre-recorded virtual Q&A w/ filmmaker Frederick Wiseman moderated by Tim Grierson
americancinematheque.com/now-showing/ti…

As part of the American Cinematheque's 'This Is Not a Fiction' series, I'm happy to say I'll be moderating a Q&A with Véréna Paravel and Lucien Castaing-Taylor in between DE HUMANI CORPORIS FABRICA and SOMNILOQUIES on Sunday night at the Aero. Get tickers here: americancinematheque.com/now-showing/de…

SASQUATCH SUNSET is the best thing the Zellner brothers have done. A film about family and survival, it opens this Friday. My Screen International review from Sundance. screendaily.com/reviews/sasqua…

It's one of the great documentaries, and the movie that launched one of the great American filmmaking careers. You should see TITICUT FOLLIES at the Egyptian on April 14. (My prerecorded Q&A with Frederick Wiseman will run after the screening.) Info here: americancinematheque.com/now-showing/ti…

WHERE IS THE FRIEND’S HOUSE?: My god, what a face.

I love all three of these Kristen Stewart films. I think they all made my top 20 for their years and Stewart is phenomenal in all three. Especially Personal Shopper.

I asked Danny Boyle about this recently. I liked his answer. rogerebert.com/interviews/dan…

Looking for something to watch at home this weekend? For RogerEbert.com, I recommended the Criterion Channel series 'Starring Kristen Stewart,' which highlights her three most important films. rogerebert.com/features/crite…

Watching 1976's THE OMEN. Don't want to be too critical, but I take issue with this newspaper's decision to publish a photo of an impaled dude on the front page. Seems inappropriate.

If 20th Century Studios is looking for blurbs for THE FIRST OMEN, here's mine: 'Slightly better than IMMACULATE!' screendaily.com/reviews/the-fi…

JANET PLANET was the best movie I saw last year during the fall film festivals. It opens June 21. Excited for more people to get a chance to experience it. screendaily.com/reviews/janet-…

In honor of THE PEOPLE'S JOKER, I wrote about six other films that had to deal with an assortment of legal issues before making their way to the big screen. rogerebert.com/features/the-p…

“If a comic genius deserves the title auteur, it’s him.” -Tim Grierson on the remarkable career of Steve Martin.

rogerebert.com/features/steve…

In honor of his new documentary, I wrote about Steve Martin, auteur. rogerebert.com/features/steve…

Seems like a good morning for this. open.spotify.com/album/5pIUimaQ…

Of course Luc Besson's latest, DOGMAN, is a deep dish of crazy and not wholly successful. But Tim Grierson was beguiled by the central performance of Caleb Landry Jones, born to play fragile psychos. latimes.com/entertainment-…

Luc Besson's best films occupy a different plane, residing in some strange realm powered by the loopy, escapist pleasures of movies themselves. But he's never been as untethered from reality as he is in DOGMAN. Here's my Los Angeles Times review: latimes.com/entertainment-…

HIGH LIFE is streaming on Max and Kanopy. (Also, I desperately want to talk to this guy's fiancée.)