“The pleasures of CHALLENGERS are visceral, intuitive, at times animalistic.”

Read MZS’s review: rogerebert.com/reviews/challe…

'This movie doesn’t have a restrained, philosophical or understated moment anywhere in its running time, and seems not to care whether you think that’s a flaw, because it’s 'in the zone' in the way that a professional athlete is.' Challengers, reviewed. rogerebert.com/reviews/challe…

They built a dynasty together

Dig this movie. On Netflix now.

Quiet golf clap for 'The Long Game.'

THE BEAST knocked my socks off. A doomed romance always out of time, in a world circling its obliteration, thrillingly fluid with genre but always in thrall with its filmmaker’s vision of the human condition as an endless, futile search for freedom in society’s constricting vice.

Or, how I learned to stop worrying and vibe with Sasquatch Sunset.

I could watch John Magaro in anything. He is so effective with Steve Zahn in Shane Atkinson’s LAROY, TEXAS—a morbid western-thriller with shades of the Coen Brothers.

My review via RogerEbert.com

rogerebert.com/reviews/laroy-…

STING! Not a The Police biopic, but rather 1 of 2 new horror movies about spider-spider-spiders. This one, helmed by the director of WYRMWOOD: ROAD OF THE DEAD, is a little too fast and conventional, though it's not all bad news...more RogerEbert.com: rogerebert.com/reviews/sting-…

THE BEAST is a temporally boundless tapestry of desire, fear, and dread—of humanity at its most passionately alive—that thrums with “the terror of today.”

A pleasure to speak with Bertrand Bonello about his best film yet, for RogerEbert.com: rogerebert.com/interviews/unt…

LAROY, TEXAS “is a film propelled by their unguarded male friendship, one shared by two unserious failures in need of someone to recognize their passions, desires, talents, and personhood.”

Read Robert Daniels’ review: rogerebert.com/reviews/laroy-…

DISAPPEAR COMPLETELY “has the feel of a slow-motion car crash. While it’s gorgeously shot, Henaine doesn’t allow for a lot of hope.”

Read Brian Tallerico’s review: rogerebert.com/reviews/disapp…

“Some of it is overly predictable, even in such a familiar genre.”

Read Nell Minow (she/her) @nminow at Spoutible’s review of THE LONG GAME: rogerebert.com/reviews/the-lo…

SASQUATCH SUNSET “is a wildly ambitious project that wrestles with reality and fantasy, the familiar and unfamiliar, to stir our emotions and longing for natural beauty”

Read Monica Castillo’ review: rogerebert.com/reviews/sasqua…

STING is “modestly scaled horror caper that pits a flesh-eating spider against a handful of Brooklynites.”

Read Simon Abrams’ review: rogerebert.com/reviews/sting-…

VESELKA: THE RAINBOW ON THE CORNER AT THE CENTER OF THE WORLD “never feels like the filmmakers are trying to wring tears from their subjects or audience, even though both will come.”

Read Brian Tallerico’s review: rogerebert.com/reviews/veselk…

DON’T TELL MOM THE BABYSITTER’S DEAD “comes together like a jigsaw puzzle whose pieces aren’t fully pressed into place:”

Read peyton danielle’s review: rogerebert.com/reviews/dont-t…

FOOD INC. 2 “is an engaging and watchable activist documentary that does make way for optimism in its last minutes, but doesn’t, um, sugarcoat its envoi about changing our eating ways: “Not only can we do it, we have to.””

Read Glenn Kenny’s review: rogerebert.com/reviews/food-i…

“Where “JOHN ADAMS illuminated one of American history’s more self-serious advocates for liberty and equality, FRANKLIN has a bit of fractured fun with its more libertine protagonist.”

Read Clint Worthington’s review: rogerebert.com/reviews/frankl…

“Time is an amazing tool. It’s endless. In a way, losing one’s sense of time is losing one’s mind.”

Isaac Feldberg speaks with THE BEAST director Bertrand Bonello

Read: rogerebert.com/interviews/unt…