The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profileg
The Corpus of Anglo-Saxon Stone Sculpture (CASSS)

@AS_Corpus

AHRC-funded 'Worked in Stone', the final phase of CASSS, is based @ArcDurham. Tweets by @weefiddler and Prof Sarah Semple.

ID:960454179947991040

linkhttp://www.ascorpus.ac.uk calendar_today05-02-2018 10:04:55

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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

The author of these tweets is giving a talk featuring a lot of Corpus Vol I material. Come hear about the recently-excavated fragments and how they speak to changing ideas about Lindisfarne's post-AD 793 story!

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Dr. Meg Bernstein(@megbernstein) 's Twitter Profile Photo

Join Dr Meg Boulton, Carolyn Twomey, Jill Hamilton Clements and myself in a three-part series, Carving Collective Practice: Working Against Monolithic Scholarship on Stone at @ IONA 2024.

Call for participation for Session III, Thinking with Stone, below. forms.gle/gvqA1juADbjQaj…

Join @meg_boulton, @Carolyngian, Jill Hamilton Clements and myself in a three-part series, Carving Collective Practice: Working Against Monolithic Scholarship on Stone at @ IONA 2024. Call for participation for Session III, Thinking with Stone, below. forms.gle/gvqA1juADbjQaj…
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

In addition to the early lathe-turned baluster fragment, St Augustine's, Canterbury, also offers architectural components spanning the early medieval period. Here are some fragments of 9th c capitals and two 10th/11th c balusters.

In addition to the early lathe-turned baluster fragment, St Augustine's, Canterbury, also offers architectural components spanning the early medieval period. Here are some fragments of 9th c capitals and two 10th/11th c balusters.
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

A late 7th c date for these & related pieces comes from the fact that 4 of the Wearmouth examples are in situ in the west porch of St Peter's church Bede Wearmouth (Cramp 1984: 120-1). This porch is generally considered part of the first church on site, founded AD 674.

A late 7th c date for these & related pieces comes from the fact that 4 of the Wearmouth examples are in situ in the west porch of St Peter's church @Bede_Wearmouth (Cramp 1984: 120-1). This porch is generally considered part of the first church on site, founded AD 674.
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Indeed St Paul's, Jarrow (Co. Durham) boasts 25 such examples. Its twin foundation at Wearmouth preserves another 30(!) of these early medieval baluster fragments.

Indeed St Paul's, Jarrow (Co. Durham) boasts 25 such examples. Its twin foundation at Wearmouth preserves another 30(!) of these early medieval baluster fragments.
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

How does one date relatively plain architectural components? The lack of a taper plus the use of narrow grooving aren't features of late Anglo-Saxon balusters in the region. They are, however, diagnostic of lathe-turned balusters from late 7th c Northumbria (think Bede's world).

How does one date relatively plain architectural components? The lack of a taper plus the use of narrow grooving aren't features of late Anglo-Saxon balusters in the region. They are, however, diagnostic of lathe-turned balusters from late 7th c Northumbria (think Bede's world).
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

A number of baluster fragments are associated with the site. Here's one piece, removed from a 19th c boundary wall of old County Hospital's mortuary (overlying the south side of St Augustine's abbey church).

A number of baluster fragments are associated with the site. Here's one piece, removed from a 19th c boundary wall of old County Hospital's mortuary (overlying the south side of St Augustine's abbey church).
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

Good morning! 👋 More sculptured architectural fragments today. We're leaving Derbyshire and venturing 🚗south to St Augustine's, Canterbury (Kent).

Good morning! 👋 More sculptured architectural fragments today. We're leaving Derbyshire and venturing 🚗south to St Augustine's, Canterbury (Kent).
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

Biddle reminds that while Wigstan's remains were removed to safety when Vikings threatened Repton (AD 873-4), his body was later returned. It was there in the 11th c when Cnut decided to translate the remains to Evesham, sometime before 1035.

Biddle reminds that while Wigstan's remains were removed to safety when Vikings threatened Repton (AD 873-4), his body was later returned. It was there in the 11th c when Cnut decided to translate the remains to Evesham, sometime before 1035.
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Seen in the context of major rebuilding at Repton (cf. the whole eastern part of the church), were these symbolically-imbued columns specifically made to mark the burial place of murdered Wigstan, d. AD849 (again refer to Biddle 2018: 68)?

Seen in the context of major rebuilding at Repton (cf. the whole eastern part of the church), were these symbolically-imbued columns specifically made to mark the burial place of murdered Wigstan, d. AD849 (again refer to Biddle 2018: 68)?
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

Copies of epigraphic texts were certainly carried from St Peter's and the catacombs (Story 2010). Biddle likewise argues that models of holy places, like St Peter's tomb, almost certainly survived in Mercian monasteries or royal houses, Repton (Derbys) among them.

Copies of epigraphic texts were certainly carried from St Peter's and the catacombs (Story 2010). Biddle likewise argues that models of holy places, like St Peter's tomb, almost certainly survived in Mercian monasteries or royal houses, Repton (Derbys) among them.
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The Corpus of Anglo-Saxon Stone Sculpture (CASSS)(@AS_Corpus) 's Twitter Profile Photo

We know that many Old English-speakers travelled from Britain to Italy. Benedict Biscop, for example, brought back books, other artworks, artefacts, and even people (John the Archcantor) to the Northumbrian monastery of Wearmouth-Jarrow, Bede tells us.

We know that many Old English-speakers travelled from Britain to Italy. Benedict Biscop, for example, brought back books, other artworks, artefacts, and even people (John the Archcantor) to the Northumbrian monastery of Wearmouth-Jarrow, Bede tells us.
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The Repton columns are thus stylised versions of an exemplar. They are 'reduced to bare essentials of helical form emphasised by a climbing scroll', although Biddle argues that their specific arrangement of S- and Z-twists are 'carefully placed' (Biddle 2018: 66).

The Repton columns are thus stylised versions of an exemplar. They are 'reduced to bare essentials of helical form emphasised by a climbing scroll', although Biddle argues that their specific arrangement of S- and Z-twists are 'carefully placed' (Biddle 2018: 66).
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We see depictions of St Peter's tomb in Late Antique art. Here's an early 5th c ivory casket from Samagher, near Pola (Croatia). See the twisted columns around the tomb of Peter, as originally arranged. What other examples can you think of?

We see depictions of St Peter's tomb in Late Antique art. Here's an early 5th c ivory casket from Samagher, near Pola (Croatia). See the twisted columns around the tomb of Peter, as originally arranged. What other examples can you think of?
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In the late 6th to early 7th century, the columns were rearranged to form a screen in front of the tomb. In the 8th c an additional layer of columns was built. Both rows would stand until 1507. (Vatican wall painting 'The Donation of Constantine', by followers of Raphael, 1520–4)

In the late 6th to early 7th century, the columns were rearranged to form a screen in front of the tomb. In the 8th c an additional layer of columns was built. Both rows would stand until 1507. (Vatican wall painting 'The Donation of Constantine', by followers of Raphael, 1520–4)
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